Yu-jin and her blind mother move to a small village from Seoul. On her first day at the new school, Yu-jin gets picked on by her classmates. Along with other victims of hatred, Yu-jin puts a curse on the four girls tormenting them through a Ouija Board. On her second day at school, one of the spellbound bursts into flames and dies just as she sits down where Yu-jin used the board. Next day, another victim burns to death, and now the school is enclosed by horror.
In his second year of fighting crime, Batman uncovers corruption in Gotham City that connects to his own family while facing a serial killer known as the Riddler.
A man refuses all assistance from his daughter as he ages and, as he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
A man is imprisoned for a crime he didn't commit. When his wife is murdered and his son kidnapped and taken to Mexico, he devises an elaborate and dangerous plan to rescue his son and avenge the murder.
Nearly 5,000 years after he was bestowed with the almighty powers of the Egyptian gods—and imprisoned just as quickly—Black Adam is freed from his earthly tomb, ready to unleash his unique form of justice on the modern world.
World War II vet Paul Sutton falls for a pregnant and unwed woman who persuades him -- during their first encounter -- to pose as her husband so she can face her family.
When the family patriarch is murdered, seven women find themselves trapped together in his mansion to solve the mystery.
When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces.
Queen Ramonda, Shuri, M’Baku, Okoye and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia and Everett Ross and forge a new path for the kingdom of Wakanda.
After his retirement is interrupted by Gorr the God Butcher, a galactic killer who seeks the extinction of the gods, Thor Odinson enlists the help of King Valkyrie, Korg, and ex-girlfriend Jane Foster, who now wields Mjolnir as the Mighty Thor. Together they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher’s vengeance and stop him before it’s too late.
Three years after the death of her beloved child, Elouise, Mara still feels her presence when she sits on the butterfly bedding in front of the jar with her ashes in it. Mara arranges a twelfth birthday party for Elouise, further alienating her from her husband, Richter, and remaining daughter, Hannah. Although Mara eventually vacates Elouise's room at the insistence of her husband, she does find a way to stay close to Elouise. Before long, however, Hannah discovers her mother's secret.
Forced to travel to a horror festival with her boyfriend, a young woman begins experiencing premonitions associated with the urban myth of The Creeper. She believes that something supernatural has been summoned — and that she is at the center of it all.
A decorated Marine goes on a rescue mission to save his two young sons from an unhuman threat. As their journey takes them in increasingly dangerous directions, the boys will need to leave their childhoods behind.
In the near future, a group of war journalists attempt to survive while reporting the truth as the United States stands on the brink of civil war.
An airport security officer races to outsmart a mysterious traveler forcing him to let a dangerous item slip onto a Christmas Eve flight.
When his daughter is murdered, William Duncan takes the law into his own hands, setting out on a quest for retribution. After killing the street thug responsible for her death, he finds himself in the middle of a war with the thug's brother, father, and their gang, who are equally hell-bent on getting even. What ensues is a tense back-and-forth game of vengeance. By the end, William comes to find that the quest for revenge never has a winner.
A modern-day lawyer is sucked into an international conspiracy after being accused of a murder she didn't commit. Her only chance of freedom lies in uncovering the secret of an old German WWII aeroplane, long buried deep beneath the ice, before the CIA.
A recap of Kimetsu no Yaiba episodes 22–26, with new footage and special end credits. Tanjiro and his sister Nezuko have been apprehended by the Demon Slayer Hashira, a group of extremely skilled swordfighters. Tanjiro undergoes trial for violating the Demon Slayer code, specifically smuggling Nezuko, a Demon, onto Mt. Natagumo.
A reclusive English teacher suffering from severe obesity attempts to reconnect with his estranged teenage daughter for one last chance at redemption.
When a team of mercenaries breaks into a wealthy family compound on Christmas Eve, taking everyone inside hostage, the team isn’t prepared for a surprise combatant: Santa Claus is on the grounds, and he’s about to show why this Nick is no saint.
The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.
Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.
Triumphantly premiered in 1724 at the King's Theatre in London, George Frideric Handel's Giulio Cesare in Egitto masterfully combines human emotions: Triumph with sorrow, despair with happiness and love with profound melancholy in the face of the transience of all earthly life. Star director Keith Warner creates a production that imaginatively blends silent film and baroque opera, delightfully echoing Mankiewicz's legendary Cleopatra with Elizabeth Taylor, Rex Harrison and Richard Burton. An excellent cast of singers is led by two of the world's leading countertenors: Bejun Mehta and Christophe Dumaux. Louise Alder shines as the seductive Cleopatra. Patricia Bardon, Simon Bailey and Jake Arditti are further highlights in this extraordinary group of singers, while Ivor Bolton provides the appropriate soundtrack on the podium of the Concentus Musicus Wien.
Louisa Muller makes her Garsington directing debut and we welcome back Richard Farnes (Falstaff, 2018) to conduct with Sophie Bevan (Don Giovanni, 2012) as the Governess and British tenor Ed Lyon making his Garsington debut as Quint. A young governess is sent to a remote country house to care for two children. She becomes increasingly disturbed by their behaviour but is under strict instruction never to bother their guardian in London. Are they innocent or wicked, possessed or just high-spirited?
Live performance from Salzburg Festival Opera, August 2007. The story tells of Cellini's love for Teresa, daughter of the Papal Treasurer Balducci. His rival, the Papal Sculptor Fieramosca, overhears Cellini plotting to run away with Teresa during the carnival.
The prestigious Gran Teatre del Liceu from Barcelona presents Mozart's beloved opera in an elegant, dramatic twist with a sparkling cast of world-class stars, led by coloratura soprano Diana Damrau as Constance and rising star Olga Peretyatko as Blonda. Director Christophe Loy has created a thought-provoking and surprisingly original script in which both Constance and Blonda feel respect, admiration and even deep love for their captors. As a result of this tantalizing, torturous approach, traditional norms and concepts of good and evil were turned upside down.
Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
There's an uncompromising clarity to Blu-ray audio and video that really does bring the splendour of grand opera right into the living room. So it's all the more frustrating to get a compromised production as the final product. Jules Massenet's 1894 tragedy about a sex goddess humbled by an insistent Cenobite monk isn't produced very often, because of a demanding lead role and some difficult staging issues. But the music is gorgeous from beginning to end. When you have a great diva at centre stage, the three acts go by in a flash.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beňačková (Rusalka), Libuše Márová (Witch), René Tuček (Hunter).
Dalibor is based on events that took place in the 15th century: having led a peasant revolt, the Knight Dalibor of Kozojedy was imprisoned, by order of King Vladislav II of Bohemia, in a tower in Prague Castle that still bears the name “Daliborka” to this day. Legend has it that he learned to play the violin while he was incarcerated, and that the people passing by the tower would be moved on hearing his music.
The painter Lili Elbe was the first person to have gender confirmation surgery in the 1930s. The homonymous opera is a glimpse into the life of Lili Elbe and her wife Gerda Wegener (also a famous painter) through Lili's transition at a time when such surgery was still completely uncharted territory.
Philippe Jaroussky as Ruggiero is in thrall to Patricia Petibon as the sorceress Alcina in Katie Mitchell’s virtuosic production of Handel’s opera from the 2015 Aix-en-Provence Festival, described by Bachtrack as “a night of a thousand delights”. Conducted by Andrea Marcon, this was, in the words of Opera News, “musically … a performance of the highest festival level”. The production of Alcina, by the British director Katie Mitchell, was welcomed by the Financial Times as “meticulously executed …, rich in detail, consummately polished”. As the New York Times wrote: “It involves a huge sorcery machine for turning people into animals (or whatever). And Ms. Mitchell works magic of her own onstage, constantly showing the enchantresses Alcina and Morgana alternating between glamorous public personas and their ‘real life’, older, private selves …There are also bits of simulated sex, mingling genders and suggesting, among other things, inventive new ways to hit high notes.”
The Pucchini opera "Turandot" will be shown completely new at the Gran Teatre del Liceu. The new production by the Spanish video artist Franc Aleu refers with a wink to the history of the Catalan institution: 20 years ago, this very opera was resumed there after a fire in 1994 severely damaged the theater.