The screening room used to be a microcosm of a larger world, filled with churning emotions and explosive temperaments. Welcome to the comfortable world of the private screening rooms where what is on the screen pales in comparison to what happens among the viewers.
The thrilling story of an elite group of Cuban spies sent undercover to the US in the 1990s. From their recruitment, training and eventual capture on US soil; this film peers into a secret world of false identities, love affairs and betrayal. Using never seen before footage from the Cuban Film Institute’s archive and first-hand testimony from the people at the heart of this story, Castro’s Spies gives a rare glimpse into the shadowy world of a spy – where the stakes are life and death.
Fifty years ago, on Sunday, 2 March 1969, Concorde flew for the first time. Starting from this inaugural flight, the film goes back in time to the origin of the conception of Concorde.
How did Nazi Germany, from limited natural resources, mass unemployment, little money and a damaged industry, manage to unfurl the cataclysm of World War Two and come to occupy a large part of the European continent? Based on recent historical works of and interviews with Adam Tooze, Richard Overy, Frank Bajohr and Marie-Bénédicte Vincent, and drawing on rare archival material.
This 135-minute documentary offers to reopen this magical parenthesis which has seen the birth of a whirlwind of artists with very different styles. From Chantal Goya to Annie Cordy, from Pierre Perret to Carlos. They knew how to bring each in their own way generations of children into their poetic universe.
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.
Documents the race riot of 1921 and the destruction of the African-American community of Greenwood in Tulsa, Oklahoma. With testimony by eyewitnesses and background accounts by historians.
Since 1950, there have been 32 nuclear weapon accidents, known as "Broken Arrows." A Broken Arrow is defined as an unexpected event involving nuclear weapons that result in the accidental launching, firing, detonating, theft or loss of the weapon. To date, six nuclear weapons have been lost and never recovered.Now, recently declassified documents reveal the history and secrecy surrounding the events known as "Broken Arrows". There have been 32 nuclear weapon accidents since 1950. Six of these nuclear weapons have been lost and never recovered. What does this say about our defense system? What does this mean to our threatened environment? What do we do to rectify these monumental "mistakes"? Using spectacular special effects, newly uncovered and recently declassified footage, filmmaker Peter Kuran explores the accidents, incidents and exercises in the secret world of nuclear weapons.
Documentary on the French comedian, actor, humanitarian and legend Coluche.
Hitler's biography told like never before. Besides brief historical localizations by a narrator, only contemporaries and Hitler himself speak: no interviews, no reenactment, no illustrative graphics and no technical gadgets. The testimonies from diaries, letters, speeches and autobiographies are assembled with new, often unpublished archive material. Hitler's life and work are thus reflected in a unique way in interaction with the image of the society in the years 1889 to 1945.
The enigma of the personality cult is revealed in the grand spectacle of Stalin’s funeral. The film is based on unique archive footage, shot in the USSR on March 5 - 9, 1953, when the country mourned and buried Joseph Stalin.
On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.
Fourty years ago, in May 1981, with François Mitterrand's election, some people were letting themselves dream about a better life while others were predicting the coming of soviet tanks upon the Champs-Élysées. If we gladly remember the turning point of austerity in 83, there were also the wage rises, the fifth week of paid leave, the abolition of death penalty, the decriminalisation of homosexuality, or the advent of independent radio stations. Rare archives and accounts by those who were at the heart of this story give an overview of it and shed light on lesser-known aspects.
May 10th, 1981. François Mitterrand is elected President of the Republic. The “soviet tanks” supposedly coming upon the Champs-Élysées dressed in red, feared by some, did not march. Serge Moati takes a personal look at this episode, focusing on the relationship the president had with television, that he witnessed and played a role in.
Between June 1940 and March 1943, the 1,200 kilometer long demarcation line broke France in two. For almost three years she controlled the daily newspaper of 40 million French people. In the north the zone occupied by Hitler's soldiers, in the south the zone administered by Marshal Pétain's Vichy regime. This film lifts the veil in this theater on the shameful mistakes of the collaboration, but also on the most courageous and noble deeds. Archive images and film recordings at places where the border used to be crossed are alternated with interviews with the last witnesses of this time.