The blinkers of the night. Messengers and mediators. The light is accompanied by illusions.
The blinkers of the night. Messengers and mediators. The light is accompanied by illusions.
2019-08-31
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Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
Paleo is a video clip shoot at the famous homonymous music festival in the French canton of Vaud in Switzerland, where many hippie-techno-pagans gather every summer since 1977. The editing style is a tribute to the reworking of psychedelic theories and the New Age proliferation within rave culture in the early 90s from the perspective of the late second decade of the new millennium. In the footage, the ritual ingestion of psychedelics is symbolically replaced by a liberating dance through a powerful fast montage that epitomizes the frenzy of intoxication achieved through psychedelic plants. A revival of a revival of a revival.
An experimental music ensemble is recording an album. They want a very specific sound: the sound of thick air. The sound engineer struggles to understand and to find that sound. A tale of sleepless nights and loud music, a noise-injected collage composed of diaristic footage, a found narrative (memories of a popular 60s band), original music and field recordings.
The hotel overlooks the city hall. The city hotel returns the glance. Glances bounce off each other, become directions and points headed towards, together, and outwards all just one frame apart in between the hotel and city hall.
Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.
A dream where obsession for German as a second language mixes up with an obsession for neatness and cleanliness as a distinctive feature of the national culture in question seen from the perspective of a foreigner. The dream is not a nightmare only because the set it is dreamt into is the seashore of the mare nostrum, where the dreaming subject is perfectly at home. A homeland which she, in turn, in her more secret thus naïf dreams would dream of being cleaner and tidier as in the reality, especially in front of such beauty of nature. As is right and proper.
The Crystal Text is a fleeting, poetic impression of the the fragmented emotional world of Young Moon's music. Amazingly, all of the visual effects are created within the camera, rather than through digital manipulation. The resulting film explores the rhythms inherent in the combination of music and film, as it evokes both memory and gesture to create an audio and visual dialog with the audience.
A mysterious light appeared in the city and quickly disappeared.
"The Role of Chance" ("La part du hasard") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.
Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.
A typical experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “live action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.
It’s often a sense of shakiness which emerges in seeking affordable rent. Furthermore, leasing a real estate in the time of Covid it’s an enough though enterprise due to the different restrictions in moving freely and without any fear even visiting the venue, still not to mention the angst before the future that a change in life like a relocation involves so that everything starts spinning around. Such a pretty much postmodern sensation should have had Hazel in the Synecdoche, New York by Charlie Kaufman when she rents a burning house, which becomes quite her home yet with this persisting sense of precarity still not precluding to keep going. The experience is now translocated in another city, Turin. It still remains a burning house in a burning city, however it becomes home to someone.
H(o)me(o)pa®t(h)y is a home entertainment healing system based on Homoeopathic medicine which one can at least to a certain extent autonomously manage as first aid tool, if you are skilled enough. As an allusion to David Cronenberg's Videodrome where the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers by establishing a new TV show dedicated to torture and punishment, H(o)me(o)pa®t(h)y instead is based on joy and healing. But will there be an overdose of globules? Insert 1 globules and start your solo home party! Cure yourself on so many occasions and relive a full relief. Your own H(o)me(o)pa®t(h)y kit is now available. Don't worry, be homoeopathic!
Kajanaqtuq (2020) is a short experimental film that features the voice of Inuk elder Naulaq LeDrew. She speaks about her home in Nunavut, Canada and how Inuit lifestyles have changed since her youth. Altered Super 8mm film footage of the region illustrates her account of historical events and Inuit mythology.
TEMPORALLY tells the story of an Italian thunderstorm through the eyes of a Japanese painter. The lightning itself fusions with its environment and creates a hypnotic point of view. The sound in the video was recorded on the occasion of the exceptionally high water alert in Venice, Italy. The alarm is composed of two parts. The first was the sirene in use under bombardments during WW2, whereas the second is designed by the University of Venice and should be heard during all the sleep phases, yet not causing any panic. The images themselves were shot during multiple thunderstorms in the mountains between Lake Lugano and Lake Como. So, an interplay of salt and sweet water. Furthermore, the title TEMPORALLY is a combination of the Italian word for storm "temporale", and the word for atmospheric weather "tempo" which in English means rhythm and rally, thus a race of lightning, in the end, following in a recovery.
Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.
CHERRY AND VIRGIN—a 'nervous romance' about Ryou, a 32-year-old erotic manga artist who has no experience with women, and Ami, a 28-year-old fujoshi who has a bad impression of real men.
A sequel to "Porosity Valley, Portable Holes" (2017), this piece expands upon the previous work through a fictionalized depiction of the migration of the migrant/mineral/data cluster known as Petra Genetrix. Juxtaposing refugee migration with digital migration, both of which characterize migration in the 21st century, the work creates a speculative space-time by interrogating the “ways of existence” and the “ways of representation” of the Yemeni refugees who recently arrived in South Korea. Reflected here is the state of affairs in which refugees are treated as a kind of malware or virus that threaten the immune system of the nation state.