Masters of Modern Sculpture Part I: The Pioneers(1978)

Soft Self-Portrait of Salvador Dali(en)

A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.

Sculpture(fa)

Video art of sculpture is the real life story of Rumi (Mevlana) and Shams Tabrizi. Rumi and Shams are well known international poets of Persian language. One day, Rumi invites Shams Tabrizi to his house, Shams throws the book into the pool of water and Rumi is worried and Shams returns the book to Rumi without any trace of water. The lost half of the sculpture in the film is a representation of the same concept, in which the dance of Sama, the sculptor's mind and the role of the face are visible. "Sculpture" has won more than 57 International Awards, third place (semi-final) in called Flickers' Rhode Island International Film Festival (Academy Award ® Qualifying, BAFTA Qualifying, Canadian Screen Award Qualifying) , Crown Point International Film Festival(Chicago) ,Vegas Movie Awards,Global Shorts( Los Angeles),(US),Gold Star Movie Awards (US),One-Reeler Short Film Competition (US),Accolade Competition (US),Berlin International Art Film Festival and many other events.

Christo: Wrapped Walk Ways(en)

Wrapped Walk Ways, in Jacob Loose Memorial Park, Kansas City, Missouri, consisted of the installation of 136,268 square feet (12,540 square meters) of saffron-colored nylon fabric covering 2.7 miles (4.4 kilometers) of formal garden walkways and jogging paths.

The Balloonist(en)

Meet Brian Boland—the beloved, eccentric hot air balloonist and artist from the rural Upper Valley of Vermont.

Traces: The Kabul Museum 1988(ja)

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

How to Get a Head in Sculpture(en)

From the heads of Roman Emperors to the 'blood head' of contemporary British artist Marc Quinn, the greatest figures in world sculpture have continually turned to the head to re-evaluate what it means to be human and to reformulate how closely sculpture can capture it. Witty, eclectic and insightful, this film is a journey through the most enduring subject for world sculpture, one that carves a path through politics and religion, the ancient and the modern. Actor David Thewlis has his head sculpted by three different sculptors, while the Archbishop of Canterbury Dr Rowan Williams, artist Maggi Hambling and art critic Rachel Johnston discuss art's most enduring preoccupation, ourselves.

Giacometti(en)

The Arts Council commissioned this film to coincide with their major retrospective of Giacometti's work at the Tate Gallery (now Tate Britain) in the summer of 1965. A similar exhibition was held concurrently at the Museum of Modern Art in New York, sealing the artist's reputation as a modern master.

The Studio of Sofía Fernández Díaz(en)

México-raised and currently Chicago-based artist Sofía Fernández Díaz details her process of adorning found objects and handmade textiles with beads, dyes, and melted wax to imbue them with new meaning, and to give them patitas.

Heaven is a Traffic Jam on the 405(en)

56-year-old artist Mindy Alper has suffered severe depression and anxiety for most of her life. For a time she even lost the power of speech, and it was during this period that her drawings became extraordinarily articulate.

North Star: Mark di Suvero(en)

North Star: Mark di Suvero is a 1977 documentary film about Mark di Suvero that was produced by François de Menil and Barbara Rose. Born in 1933, di Suvero has become one of the most recognized sculptors of the late 20th and early 21st centuries. From about 1975 to 1977, fairly early in di Suvero's long career, filmmaker de Menil and art historian Rose produced this film, which was characterized at the time as "a tribute to the extraordinary work and life of the innovative American sculptor of monumental but delicate constructions." The film shows di Suvero making and installing several of his very large sculptures, and incorporates informal interviews of di Suvero, his mother, and others involved in his career and life at that time. From 1971 to 1975 di Suvero, an American, lived in a self-imposed exile in France in protest of US involvement in war in Vietnam and Southeast Asia, and the filming spans the end of his exile and his return to New York.

Lamp(en)

Short documentary of David Lynch building a lamp.

My Dad and the Volcano(en)

Gavin built a giant volcano sculpture that's now in his dad's shed. Gavin seeks his dad's understanding but he's uninterested in modern art and refuses to participate in the documentary.

One path one collection | Agueda Lozano(es)

The sculptor and painter Agueda Lozano narrates the first contacts with plastic art that she had in her native Ciudad Cuauhtémoc, Chihuahua; her stay in France and how was her arrival in Europe; her return to Mexico, and her participation in important exhibitions and sculpture projects, among which the definitive insertion sculpture that she inaugurated in the Plaza de México in Paris stands out. Likewise, she talks about her works in the Payment in Kind Collection, about the characters that promoted and inspired her in her career, and about her aesthetic proposals and creation techniques.

13 figures de Sarah Beauchesne au 71, rue Blanche(fr)

Art Lives Series: Joan Miro(en)

With his seemingly naïve, symbolic paintings, Joan Miró formed a new artistic language in the 20th century. Brought up in Barcelona, the painter, graphic artist and sculptor was drawn to Paris and, under the influence of the surrealists, developed his unique style and poetic imagery that unite Catalan folk art and fantastic elements. Robin Lough followed the 85-year-old Miró to theatre rehearsals and went to see him in his studio on Majorca. There he met with an amazingly creative and disciplined artist, whose visionary pictures paved the way for abstract expressionism.

Sculptures by Sofu - Vita(ja)

A short documentary by Hiroshi Teshigahara about his father, the sculptor Sofu Teshigahara, preparing an exhibition.

Stones and Flies: Richard Long in the Sahara(en)

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.

O Cristo de Vitória da Conquista(pt)

Bronwyn Oliver: The Shadows Within(en)

This intimate documentary follows the journey of Bronwyn Oliver, a working-class girl from the country who became one of Australia's most influential contemporary sculptors.

Blood of Two(en)

The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.