Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.
Himself
Himself
Himself
Herself
Herself
Himself
Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.
2020-05-18
0
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
In present-day Nicaragua, a headstrong American journalist and a mysterious English businessman strike up a romance as they become embroiled in a dangerous labyrinth of lies and conspiracies and are forced to try and escape the country.
Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
Two men walk agitatedly on a dirt road, between underbrush and large trees. One follows the other: both inspect the place. After a while, they stop in the middle of the foliage.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.
The desert East of L.A. is a land of fractured time, rotting nostalgia, and esoteric energy. Out here, we’re all ghosts.
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
A therapist looks into the mind of a woman diagnosed as schizophrenic and finds, not madness, but tortured sexual guilt created by the taboos of society.
In 1983, yacht sailor Will Parker leads an American crew financed by millionaire Morgan Weld to defeat during the America's Cup race against an Australian crew. Determined to get the prize back, Will convinces Morgan to finance an experimental boat designed by his ex-girlfriend Kate's new beau, Joe Heisler. When the boat is completed, the Americans head to Australia to reclaim the cup.
A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.
A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.
Italian immigrant kidnaps a wealthy British woman, and they fall in love.
Waking up in a locked room, a prisoner must overcome their personal demons in order to move on from heartache and earn their freedom.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?
The Chronicle of a on-and-off relationship between two young men, plagued by alcoholism, violence, and too many second chances.