The Layabout and Seabathing(1933)

Graziella(fr)

During a trip to Naples, a young French man falls in love with a fisherman's granddaughter, Graziella. They are separated when he must return to France, and Graziella soon dies.

Man of a Thousand Faces(en)

The turbulent life and professional career of vaudeville actor and silent screen horror star Lon Chaney (1883-1930), the man of a thousand faces; bearer of many personal misfortunes that even his great success could not mitigate.

Silence(en)

A man loses his hearing and learns to appreciate life through silent films.

Rueben(en)

It's a artsy flick about Rueben the fly.

The Ever Hours(en)

Three overlapping stories showcase the power of love after the death of a child, a father, and a lover for those who remain.

Nana(fr)

Count Moffat becomes infatuated with Nana, a presumptuous stage actress, vulgar, hypocritical and promiscuous, willing to do anything to succeed.

Racing Romance(en)

Racing Romance is a 1927 Action film. According to a brief article in the St. Petersburg, FL Evening Independent newspaper, the film was centered in the world of automobile racing. The article also noted that racing sequences in the film were shot at the "world famous Culver City Race track," which referred to the Culver City Speedway, a popular racing venue that opened in mid-Jun 1924 and was located adjacent to Washington Blvd., close to M-G-M and other movie studios. Apparently it's a lost film.

Candela(xx)

An insoluble quest.

Torn Sails(en)

Based on the novel by Allen Raine - In Wales, a girl loves a manager but weds her employer who dies in a fire lit by a jealous madwoman.

Victim(en)

A father sacrifices an animal on the day of Eid al-Adha according to the traditions and customs of the past. According to the old custom, he gives the last bowl of water to the goat, but his son tries to save the goat. The father angrily looks for them. The boy makes the goat run away and puts the rope around his neck instead of the goat. This short film refers to the story of Ismail and Ibrahim in Islam.

Giorgio Moroder's Metropolis(xx)

In 1984, Academy Award winning composer Giorgio Moroder introduced Fritz Lang’s science fiction epic Metropolis to a new generation of filmgoers. Working in collaboration with film archivists globally, Moroder supervised a special reconstruction, with color tinting, fewer intertitles and newly restored footage. A pioneer in the field of digital music, Moroder backed this special edition with a throbbing new score, punctuated with pop songs from some of the biggest stars of the early MTV era: Freddie Mercury, Pat Benatar, Adam Ant, Bonnie Tyler, Loverboy and others.

Dreams of the Past(ru)

DEPÈN(ca)

The Cinematograph: Birth of an Art(fr)

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

Le Grand Méliès(fr)

A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.

Bastet(en)

A man struggles with mental health and seeks help.

UNTITLED 4(en)

Charlie Chaplin's beloved Tramp returns.

Exhuming London After Midnight(en)

London After Midnight (1927), directed by Tod Browning and starring Lon Chaney, is the most sought-after lost film by fans of fantastic cinema. Has this mythical treasure finally been found in an old South American cinema?

The Meeting of President Taft and President Díaz at El Paso, Texas(es)

The first meeting of a U.S. president and a Mexican president took place when William Howard Taft met Porfirio Díaz on 16 October 1909, in El Paso. The meeting was celebrated in both El Paso and Juárez with parades, elaborate receptions, lavish gifts and large crowds. Shot by the pioneers of Mexican Cinema the brothers Alva. This is a typical example of newsreel material prior to the Mexican revolution. By hemerographical references we know that this footage was presented to the then president of Mexico General Porfirio Díaz in the Castle of Chapultepec, then residence of the president.

Fantômas: A Thoroughly Modern Villain(fr)

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.