PRELIMINARY EVENINING OF THE RING CYCLE. Upon the banks of the ageless river Rhine, the Rhinemaidens play. Alberich, a Nibelung dwarf, tries vainly to seduce one of them. To taunt him, they reveal their secret: out of the gold they guard one can forge a Ring to rule the world, but at the cost of giving up Love forever. Alberich steals the gold, makes the ring and plans his world take-over. Meanwhile, Wotan, King of the Gods, must figure out how to finance the construction of Valhalla. He has promised his sister-in-law as payment to the giant construction workers led by Fafner, but his wife Fricka disapproves. Loge (God of Fire) tricks Alberich and brings him to Wotan, who takes the Ring. In revenge Alberich curses it: lack of the Ring will fuel desire for it and possession will only lead to misery. Wotan gives the Ring to Fafner as ransom for Fricka's sister. Filmed at the Bayreuth Festspielhaus in June & July 1991.
Donner
Froh
Loge
Alberich
Mime
Fasolt
Fafner
Fricka
Freia
PRELIMINARY EVENINING OF THE RING CYCLE. Upon the banks of the ageless river Rhine, the Rhinemaidens play. Alberich, a Nibelung dwarf, tries vainly to seduce one of them. To taunt him, they reveal their secret: out of the gold they guard one can forge a Ring to rule the world, but at the cost of giving up Love forever. Alberich steals the gold, makes the ring and plans his world take-over. Meanwhile, Wotan, King of the Gods, must figure out how to finance the construction of Valhalla. He has promised his sister-in-law as payment to the giant construction workers led by Fafner, but his wife Fricka disapproves. Loge (God of Fire) tricks Alberich and brings him to Wotan, who takes the Ring. In revenge Alberich curses it: lack of the Ring will fuel desire for it and possession will only lead to misery. Wotan gives the Ring to Fafner as ransom for Fricka's sister. Filmed at the Bayreuth Festspielhaus in June & July 1991.
1991-07-15
8.3
SECOND DAY OF THE RING CYCLE. Alberich's brother Mime raises the orphan Siegfried, hoping that Siegfried will kill Fafner and enable Mime to gain the ring. Mime attempts unsuccessfully to reforge the Nothung. Fulfilling prophecy, Siegfried reforges the sword himself and kills Fafner, who has the form of a dragon. When he accidentally tastes the dragon's blood spilt on his hands, Siegfried understands the song of a woodbird, who instructs him to take the Ring from Fafner. Reading Mime's thoughts of betrayal, Siegfried kills the dwarf as well. The woodbird also informs Siegfried of a mysterious woman asleep in the midst of fire, and Siegfried sets off to find her. After defeating a disguised Wotan and breaking his spear, Siegfried successfully awakes Brünnhilde, and the two fall in love. Filmed at the Bayreuth Festspielhaus in June & July 1992.
A Romance of the Three Kingdoms retelling using SD Gundams. (Source: Myanimelist.net)
Nikolai, a Russian hit-man escapes from his adversaries into the streets of Los Angeles. He is taken into the household of Lesley and her son Johnny. In exchange for refuge, Nikolai repairs the single mother's decaying house and symbolically mends fences between everyday people of Russia and the U.S. When enemies get too close to his new home, Nikolai makes his escape to Montana.
A musical tour through the work of Aníbal "Pichuco" Troilo, one of the defining figures of tango and Argentinian music.
An adultress dies and is assigned by "The Guardian" to return to Earth and make up for her wrong-doings by casting spells that will bring pleasure to others.
One day, robot Robby enters into a life of the most creative little boy, Toby. Robby had been separated from his robot parents when his spaceship crashed. Toby decides to offer his help and the two of them become friends.
Sharp Shooter is a cocktail story with mixture of various elements such as love, drama, action and romance. The story revolves around a boy named JK and a girl named Nandhini. They end up falling in love with each other. However, they end up having a hard time trying to accept each other.
Batman the Brave and the Bold: Showtime is a action-adventure short film based on a series of the same name produced in 2024 in Iran. It is the third part of motion comics trilogy after Lucky Luke: End of Legend and Dick Tracy & The Phantom.
Ramiro is a good man. He is a musician, but unemployment is so great that it has had to put Scottish bagpipes playing a Scotch Pub also married. One night coming home from work encountered in a corner, with Julian; believes has stolen his wallet and to take back what is theirs thinks Julian attacks is municipal councilor in the city. The theft of this portfolio will complicate the life of Ramiro, that of Julian and the many characters ...
Colonel William Cody, alias Buffalo Bill, intends to put an end to the dishonest relations between a gang of white swindlers and the Indian, Yellow Hand. So he goes to the chief of Yellow Hand's tribe, Wise Fox, and tries to convince him to sign a peace treaty with the Federal troops. In order to avoid this, Yellow Hand abducts Wise Fox's daughter, pretending that the soldiers have done it.
Macho Callaghan is a lieutenant in the Federal Guards and his job is to capture Butch Cassidy, Ironhead, and their band of outlaws. Getting in touch with Ironhead, Macho finds a way of being hired by the outlaws. But when the two leaders quarrel and decide to separate, Macho manages to convince Ironhead to attack Butch Cassidy.
She is a former air hostess; he is a fair-haired St Petersburg-born politician with a secret past and a thorough knowledge of German. Despite the familiar-sounding characters, the film’s makers claim that its hero is not Russian President Vladimir Putin, but a fictional Russian politician named Alexander Platov.
For more than 30 years a man by the name of Dick Proenneke lived alone in the Alaskan Bush. His only neighbors were the wolves and grizzly bears and his only transportation was his canoe and a good set of legs. Through the years, Dick kept written journals of daily life at Twin Lakes but would also document much of his adventure on film with his 16 mms Bolex camera. The Frozen North is Dick's own filmed account of his life alone in this "One Man's Wilderness", produced from original footage not included in "Alone in the Wilderness" or "Alaska Silence & Solitude".
A teacher in the middle of a messy divorce discovers that her husband has been recklessly dumping nuclear waste and wreaking havoc on the nearby wildlife. Now, she must contend with a feral, mutated rat in her home, and her soon-to-be ex who will do anything to keep his secrets.
A filmed version of Tchaikovsky's opera. Onegin visits a friend, his fiancee and her sister Tatiana, who believes Onegin is her fated love. She writes a note telling him so, but he rejects her. Years later he returns, finding her married, but now he's smitten with her.
This Wagner opera is rarely performed because of the scandals that engulfed the Magdeburg Theatre when it was performed in 1836 under the title The Novice of Palermo, and became known as a cursed opera from which the composer had to distance himself. Wagner's adaptation of the story reflects the rebellious mood of a Revolutionary Germany, vindicating sensual love and attack the fanatical repression of sexuality by a puritanical and hypocritical authority. As the prose says, "Shame to him whose cruel striking/Kills for faults of his own liking!". One of the most extraordinary musicals based on a text by Shakespeare, especially worthy of a new performance as it is four hundred years since the death of the Bard.
Shostakovich’s satirical opera adapted from the classic short story by Nikolai Gogol. Baritone Eduard Akimov leads the cast as Kovalyov, the hapless bureaucrat whose nose has mysteriously gone missing.
One of the greatest revolutions in the history of mankind happened around 3000 years ago: the transition from polytheism to monotheism through the prophet Moses. God revealed himself directly to Moses, instructing him in absolute truth. Moses was charged with leading the people of Israel to the Promised Land and escaping from Egyptian slavery. Moses came to embody the relationship between the human and divine truth. God’s call to Moses presented a new idea that exploded all previous religious concepts: ‘One God – unique, eternal, intangible, inconceivable’. Moses understands this concept, but is unable to express it, and therefore God appoints Moses’ brother Aaron as his spokesman. They are bound to fail: Aaron can only approach sharing the idea by compromising its meaning, whilst Moses is left to search fruitlessly for “the word I lack …” This production of Arnold Schoenbergs opera was filmed during the Ruhrtriennale 2009.
The story of the star crossed love between Manon Lescaut and Des Grieux.
Since its premiere on 2 June 1937 in Zurich, Alban Berg's second opera "Lulu" has the reputation of being surrounded by scandals. On the one hand, this is due to the dubious character of the subject, the man-eating femme fatale, which Berg had taken from Frank Wedekind's two Lulu tragedies – "The Earth Spirit" and "Pandora's Box" – and combined into one opera libretto. On the other hand, Berg's window had (for personal reasons) repeatedly refused to have the opera completed, which was unfinished when Berg died. This video is of the unfinished two-act torso of "Lulu."
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
The documentary draws a portrait of an opera director who is staging Richard Wagner’s Die Walküre. He is torn between the tragicomic routine of an opera house and his own perception of Wagner and the Ring cycle. The film witnesses the director’s drama in maintaining the fragile link between a well-constructed performance and his own vision that lies within the music and the narrative, and is seen as German expressionism-like nightmares.
When the rich and powerful Buoso Donati dies, his family's excitement about his estate is infinitely greater than their sorrow over his loss. They start searching for his will like a flock of hungry vultures. Apparently Donati has bequeathed everything to a monastery. There is absolutely no way they will allow this to happen. They search any means to seize the fortune. Rinuccia, the youngest scion of the family, suggests asking Gianni Schicchi, the father of her lover, for advice. They shudder at the mention of his name, but Gianni Schicchi is already on his way and proves to be a man with ideas.
A collaboration between award-winning American filmmaker Sofia Coppola and Italia haute couture king Valentino comes in the form of a revival of Giuseppe Verdi's classic opera, La Traviata. Captured live from the Teatro dell'Opera di Roma.
"Giovanna d'Arco; ossia, la pulzella d'Orléans" is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The opera partly reflects the story of Joan of Arc and is based on a play by Friedrich von Schiller, although claimed by the librettist to be "an entirely original Italian drama." If the thought of Anna Netrebko strutting her stuff in a suit of armour and tin hat sets your factor tingling then this is a must. It's an inconsistent opera but has some quite wonderful music along the way. The rest of the cast is good and the production won't offend either. Get it for Ms Netrebko's incredible performance alone.
First of all it is impossible to conceive of the creative genius who wrote this music when only [...]. Add to this the outstanding musicianship of the young singers/actors and orchestra members.Christiane Karg has a voice that is pure beauty; her range, precision and her ability to convey tremendous emotion are astounding.Her aria "Laetari, iocari" is a tour de force, tossed off with the greatest ease. Then there is the beautiful duet she sings with Maximilian Kiener. This is to die for! The staging, the singing and the acting are of an extremely high level. On the second disc Christiane Karg plays a totally different character, wily and playful, but oh, that voice!
Gaul has been conquered by the Romans. Oroveso, the Arch-Druid longs to lead a Gallic rebellion against the colonial forces. He and all the others wait for the signal to be given by his daughter, the Druid High Priestess Norma. But Norma has fallen in love with the Roman Proconsul, Pollione, and given birth to two children. They have been brought up in secrecy by her confidante Clotilde. Norma still loves Pollione but he has fallen in love with a novice priestess, Adalgisa.
How do we live together in an age of conflict? How do you heal a divided and angry people? In their 2017 production of Mozart’s La clemenza di Tito, Peter Sellars and Teodor Currentzis examine these questions through the story of a warrior-emperor who brings peace to his divided land and pardons his own would-be assassins. Written under a time crunch (legend has it that it was written in only 18 days, although it is likely an exaggeration) during the last year of Mozart’s life, the opera is based on a libretto written more than half a century earlier by Pietro Metastasio. It was commissioned for the coronation of Leopold II as King of Bohemia, and received its first public performance at the Estates Theatre in Prague on September 6, 1791.
Philippe Jaroussky as Ruggiero is in thrall to Patricia Petibon as the sorceress Alcina in Katie Mitchell’s virtuosic production of Handel’s opera from the 2015 Aix-en-Provence Festival, described by Bachtrack as “a night of a thousand delights”. Conducted by Andrea Marcon, this was, in the words of Opera News, “musically … a performance of the highest festival level”. The production of Alcina, by the British director Katie Mitchell, was welcomed by the Financial Times as “meticulously executed …, rich in detail, consummately polished”. As the New York Times wrote: “It involves a huge sorcery machine for turning people into animals (or whatever). And Ms. Mitchell works magic of her own onstage, constantly showing the enchantresses Alcina and Morgana alternating between glamorous public personas and their ‘real life’, older, private selves …There are also bits of simulated sex, mingling genders and suggesting, among other things, inventive new ways to hit high notes.”
Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.
Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.
This hard-edged postmodern production of Giuseppe Verdi's haunting masterpiece brings the story of Shakespeare's bloody tragedy to vivid life, characterized by spine-tingling atmospherics and a triumphant debut by American baritone Thomas Hampson in the title role. This Zurich Opera House production also features a mesmerizing turn by Paoletta Marrocu as the beautiful, power-hungry Lady Macbeth, while striking sets and costumes further enhance the duality of the main character whose rise and fall mirror the darkest impulses of man. Replete with supernatural mystery, sexual tension, and violent power plays, this timeless story remains gripping and chilling for today's audiences and boasts some of the most astonishing music of Verdi's legendary body of work.