Marie and Me(1970)
color, silent, 8mm film
Movie: Marie and Me
HomePage
Overview
color, silent, 8mm film
Release Date
1970-06-18
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
No LanguageKeywords
Similar Movies
Neon Boys(en)
Unable to find a job after spending time in prison, Shawn takes work as an erotic dancer to support his daughter and falls in love with a man for the first time.
POSSUM(en)
When the leader of an artist residency kills the possum that’s been eating their cauliflower, the residents come to a shocking consensus.
Chinese Viola(pt)
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go(en)
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Chelsea Girls(en)
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Aimée & Jaguar(de)
In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.
Outerlands(en)
Cass juggles jobs as a nanny, restaurant server, and party drug dealer in order to make ends meet and pay for their tiny San Francisco apartment. After a one night stand with Kalli, a co-worker they have a crush on, Cass agrees to watch her 11-year-old daughter, Ari, while she goes out of town. But as days pass without word from Kalli, Cass and Ari form a bond that spirals Cass back to their own difficult childhood and the pain they’ve been running from.
The Ladies(en)
In the middle of two disappointing nights out, Kate and Lucy find themselves in the ladies. They begin as strangers but the mystical powers of this nightclub bathroom brings them closer together.
Mad Dog(fr)
Johanie, the single mother of a dysfunctional family, takes a dim view of the arrival of Ian and his dog in the neighborhood. Like a trench dividing the two camps, the back alley becomes the witness of a rivalry where prejudice, fascination and frustration mingle slyly with the sound of barking.
We Can Be Heroes(en)
Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the deeply accepting environment has given neurodivergent, queer, and self-proclaimed "nerdy" teenagers the space and community for self-discovery that they have never found anywhere else. As the campers immerse themselves in this imaginative world, they discover inner strength, heal from past traumas, and emerge as the heroes they are meant to be, both in the fantasy realm and in real life.
Spite Your Face(en)
Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?
23rd Psalm Branch: Part II(en)
The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna” and his own.
The Shining: Forwards and Backwards(en)
An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities
BLACKland(hu)
The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.
Spaghetti Blockchain(en)
Produced by the Museum of Contemporary Art Toronto; Arts at CERN, the arts program of the European Laboratory of Particle Physics, Geneva, with the support of the Permanent Mission of the United States to the United Nations, Geneva; Sprengel Museum, Hannover, with the support of Niedersächsische Sparkassenstiftung; and New Museum, New York
Mary, Mary, So Contrary(zh)
Repurposing and manipulating classic film footage and the filmmaker’s personal footage, the film weaves a phantasmagoric narrative of a Chinese lady named Ma Li who dreams she is a Caucasian named Mary.
Julian(fr)
After an unexpected encounter, Fleur and Julian fall madly in love. Soon after Julian proposes, an ambitious, yet challenging idea starts to dawn on Fleur. Slowly but surely, she works out a plan to get married in every country where she and her wife are allowed to do so. Fueled by their love and a rising sense of urgency, they take a leap of faith. After only four marriages, their journey comes to an inevitable, painful halt.
Bear(xx)
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.