color, silent, 8mm film
color, silent, 8mm film
1970-06-18
0
Taking its title from the poem by Wallace Stevens, the film is composed of a series of attempts at looking and being looked at. Beginning as a city state commission under the name and attitude of “Unschool”, the film became a kaleidoscope of the experiences, questions and wonders of a couple of high school students after a year of experiences with filmmaker Ana Vaz questioning what cinema can be. Here, the camera becomes an instrument of inquiry, a pencil, a song.
In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.
Alain, the architect, lives secluded in his luxurious finca in the outback. He solely wears women's clothes und avoids any contact to people. When he's forced to break out, neither the outside world nor his inner world seem to be ready.
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic.
A child is witness to an assault on a monk by the gang of Lorenzo the Fifth. The monk escapes and takes refuge in the estate of Doña Carlota, a countess who lives with her son Juan and daughter Beatriz. Basilisa, the maid, conjures the devil to free her son from an irreversible illness, but to do so the evil must be transmitted to an innocent soul, and for that she chooses Beatriz. The child begins to be the victim of a possession, for which everyone blames the monk.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Two best friends from Berlin win a trip to Greece. On their excursion, they get lost on an island. They wander in the woods until they find an abandoned village where they encounter a mysterious creature, who calls himself Hercules. They spend the night together in a cave and dream a mystical dream. On the next day, nothing between the two will be like it was before.
Inès shares her apartment with Laura. Everything would be perfect if she had not fallen in love with her.
How many movies have you seen where at the end the main character wakes up, causing he and the audience to simultaneously realize that everything they witnessed beforehand was "just a dream?" This film takes that principal but instead of deceiving, the story invites you to watch the main characters dream away. As a result, "True Dreams" takes the dream sequence to a whole new level: it lets its audience in on the joke, while they watch the two main characters run around unaware of the reality/fantasy of their surroundings. This film can be viewed via Vimeo at https://vimeo.com/132642294 (password: truedreams)
A cruise ship and 3,000 men – it is a universe without heteros and women that usually remains a mystery to the outside world. Once a year the Dream Boat sets sail for a cruise exclusively for gay men where most passengers are united by the wish to live life authentically as themselves in a protected place.
When her girlfriend disappears mid-road trip, sardonic prop master Kasey is left stranded in a California backwater. Panicked, she hitches a ride with cash-strapped actor Alan on his trek to an audition in Canada. Together, the unlikely duo dodges Reno psychics, stale corn nuts, and border security on a quest to find a missing soulmate and maybe validation.
A sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers.
In the Yorkshire countryside, working-class tomboy Mona meets the exotic, pampered Tamsin. To seal their friendship, Mona introduces Tamsin to her born-again Christian brother and helps her spy on her adulterous father. Bound together by their secrets, the two girls see their friendship deepen and enter into dangerous waters.
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
La orilla que se Abisma is conceived as a journey, a trip along a river. Like rivers, like all journeys, the film has meanders, small riverbeds, detours and moments of rest.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.