The Happiness Machine is a cinematic performance comprised of animated films, musical compositions and testimonials. Ten women filmmakers, ten women composers and ten musicians present Christian Felber's Common Good Economy for discussion.
Three shorts and three supplements tackle the central theme of 'compliance'. A wanna-be actress findsherself trapped between her traditional loyalty to her parents and her strong-willed director; a police officer and his robot sidekick resort to unorthodox methods to fight crime; a structuring of a PSA to promote social sensitivity is taken to absurd extremes.
Laughter and Grief by the White Sea is a 1987 Soviet traditionally animated feature film directed by Leonid Nosyrev made at the Soyuzmultfilm studio. The film is a celebration of the culture of the Russian Pomors who live around the White Sea.
There is a place on the backwaters of the Internet where an entire universe has spun off of its own accord. This place is called Genesis Space and it is a birthing ground of imagination. There has been much press given to the "promise" of the Internet, but few know where that promise lies. Consider this video presentation a road map to that place and be prepared to be astounded by what awaits you. I bid you welcome to Genesis Space. The only limits in this place are the ones Self-imposed on your own imagination. Free your mind and take a walk through this strange place. Your feet may never touch the ground...
The universe of the Halo video game series is expanded in seven short animated films from Japan's greatest anime directors and studios.
In Late Night Work Club's 2nd project, animators from around the world come together to create an anthology of animated shorts centered around the theme 'Strangers'. Released on Vimeo.com.
Mickey, Minnie, and their famous friends Goofy, Donald, Daisy and Pluto gather together to reminisce about the love, magic and surprises in three wonder-filled stories of Christmas past.
A chronicle of Bruce Wayne's establishment and progression into Gotham City’s legendary caped crusader through 6 standalone episodes.
As a newly crowned princess, Cinderella quickly learns that life at the Palace - and her royal responsibilities - are more challenging than she had imagined. In three heartwarming tales, Cinderella calls on her animal friends and her Fairy Godmother to help as she brings her own grace and charm to her regal role and discovers that being true to yourself is the best way to make your dreams come true.
A seven-part anthology film that probes the theme of childhood from various angles. Each part is directed by a different person, with techniques ranging from watercolor to cut-out.
Collective screening of the Academy Award nominated short films from the Animation category for 2011. (1) Madagascar, Carnet de Voyage (Travel Journal), Sacrebleu Prod., France, 11 min. (2) Let's Pollute, no company listed, USA, 6 min. (3) The Gruffalo, Magic Light Pic., UK/Germany, 27 min. (4) The Lost Thing, Passion Pic., Australia/UK, 15 min. (5) Day & Night, Pixar, USA, 6 min. (6) Urs, Filmakademie Baden-Württemburg, Germany, 10 min. (7) The Cow That Wanted To Be a Hamburger, Bill Plympton Studios, USA, 6 min.
John, unable to understand the illness that drives his grandfather between past and present states, stumbles into an old album full of photographs. The images guide his imagination, transforming his grandfather’s memories into drawings that shape their relationship into a history of memory-building and remembrance.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Theatrical compilation of Zdeněk Miler's Puppy series (How the Puppy Wanted Little Dogs, How the Puppy Wanted Honey, How the Sun Gave the Puppy Water Back).
A trilogy of separate stories. In "Labyrinth labyrinthos", a girl and her cat enter a strange world. In "Running Man", a racer takes on the ultimate opponent. In "Construction Cancellation Order", a man must shut down worker robots.
A band of fluffy little creatures are irresistibly drawn to a mysterious light from across the road. If they can even manage to survive the trek over, what awaits them?
In this anime anthology, a salvage ship crew happens upon a haunted vessel in "Magnetic Rose"; a cold tablet turns a lab worker into a biological weapon in "Stink Bomb"; and an urban populace carries on an endless war with an unseen foe in "Cannon Fodder."
An anthology of various tales told in various styles with robots being the one common element among them.