This early work from Pierre Perrault, made in collaboration with René Bonnière, chronicles summer activities in the Innu communities of Unamenshipu (La Romaine) and Pakuashipi. Shot by noted cinematographer Michel Thomas-d’Hoste, it documents the construction of a traditional canoe, fishing along the Coucouchou River, a procession marking the Christian feast of the Assumption, and the departure of children for residential schools—an event presented here in an uncritical light. Perrault’s narration, delivered by an anonymous male voice, underscores the film’s outsider gaze on its Indigenous subjects. The film is from Au Pays de Neufve-France (1960), a series produced by Crawley Films, an important early Canadian producer of documentary films.
This early work from Pierre Perrault, made in collaboration with René Bonnière, chronicles summer activities in the Innu communities of Unamenshipu (La Romaine) and Pakuashipi. Shot by noted cinematographer Michel Thomas-d’Hoste, it documents the construction of a traditional canoe, fishing along the Coucouchou River, a procession marking the Christian feast of the Assumption, and the departure of children for residential schools—an event presented here in an uncritical light. Perrault’s narration, delivered by an anonymous male voice, underscores the film’s outsider gaze on its Indigenous subjects. The film is from Au Pays de Neufve-France (1960), a series produced by Crawley Films, an important early Canadian producer of documentary films.
1960-01-15
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In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
The journey of a young candidate running in the Pessamit community band council elections.
Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.
William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioural changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.
In 1999, Innu community members who, 40 years previously, had been forcibly relocated from their remote northern region of Labrador to established settlements in the province, return to Hebron to reminisce and reckon with the destructive impact the relocation had on their traditional ways of life and Indigenous identity. This film serves as a companion piece to Carol Brice Bennett’s book "IkKaumajannik Piusivinnik – Reconciling With Memories," and stands as the only known audio-visual document of the reunion of a resettled community in Newfoundland & Labrador.
A Schweitzer of Korea Father LEE Tae-seok, devoted his life in Sudan; a remote area of Africa.
Inspired by the transformation of the sex-trafficking survivors whose lives she follows, the filmmaker finds the courage to break the silence about sexual abuse in her own life.
“Those Who Come, Will Hear” proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.
Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.
Recreation of facts and stories of both experts and people who met Maximilian Kolbe and were shocked by his words and actions.
Six men who were sexually abused by Catholic clergy as boys find empowerment by creating short films inspired by their trauma.
This film is about the francization of Québec that has taken place since the Parti Québécois won power from the Liberals in 1976. It shows how the once powerful anglophone community is now questioning its very survival. It discusses some of the motivating forces behind Québécois nationalism. The film concludes by asking if the Canadian nation can survive if neither of its major language groups is welcome in the territory of the other.
The piercing cold of 10 below zero wasn't even a problem. In February, 2009, about 400,000 people gathered in Myung Dong for a brief meeting for a single reason. The late cardinal KIM Sou-hwan became the first cardinal in a land of poor faith. He summoned up his courage when no one took action. He practiced love as a miracle until he left us. He was a respected senior of the society beyond the religion in the turbulent times; a figure whose life had been like a fence for the disadvantaged. The late cardinal KIM Sou-hwan was ‘a great man of the era’. His passionate love is now revived on the screen.
This documentary examines age-old questions about the existence of the Devil and good versus evil, through the life of controversial priest, Father Malachi Martin. It explores Martin's horrifying final case before his mysterious death.
The hunters are the Innu people and the bombers are the air forces of several NATO countries, which conduct low-level flights over the Innu's hunting terrain. The impact of the jets is hotly debated by peace groups, Indigenous people, environmentalists and the military. But what is often overlooked are the many complex changes underway in Innu society, as social and technological changes confront a traditional hunting culture.
The names of the two ‘fathers’ encapsulate Korea's contemporary history. The older priest is known as ‘Father Gang’, symbolizing his fight against corrupt authority. The younger priest, on the other hand, is known as ‘Father Red’ for his advocacy of Korean reunification and for crossing the armistice line. These two figures were pivotal in challenging Park Chunghee's authoritarian regime, participating in the pro-democracy movement against military rule, advocating Lim Sukyung's visit to North Korea, protesting against U.S. military bases, addressing the Yongsan disaster, and standing up against the Jeju Gangjeong village incident. Their church provided solace to the vulnerable and marginalized.
Three decades after the shuttering of the mining town of Schefferville, the Innu people, who moved in after the non-natives abandoned the town, are facing a new challenge: the iron mines are about to be reopened. Land, identity and legitimacy are central to the dialogue between peoples locked in parallel struggles, the Québécois and the First Nations.