The Interview(2019)

Re-Births(fr)

A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…

The Three Friends(ar)

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Girl on the Moon(ru)

Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.

Capturing Avatar(en)

Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.

Rosalinda 2020(pt)

Hassanpoulia: The Avengers of Cyprus(el)

After ten years of prison, Chasampoulis, protector of the poor and underprivileged, escapes with a single goal. To punish the good friends who betrayed him. Meets with his brothers who are in the branch and the revenge plan comes into effect. A film based on real events.

Chhota Bheem & Krishna: Pataliputra- City of the Dead(hi)

The peace of Pataliputra vanishes when Kirmada, the evil starts to hunt people down in order to get his physical form back. When Krishna and Bheem learn that Krimada is finding an opportunity to take revenge on them for destroying his body, they get into swift action to eradicate the scary danger Pataliputra is facing. What will it take for the duo to win?

Let Me Go Home(ru)

In hustle and bustle of urban life, we sometimes don't know our neighbors next door. And in the village, everyone knows each other and lives with the joys, troubles, and worries of a neighbor, like one big family. That's why a person is pulled to their small homeland, to their roots. The one who forgets their roots experiences a burdensome emptiness and dissatisfaction with their achievements in life.

Film(it)

The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.

Free Hands(fr)

Barbara is a filmmaker who has been working in the prison environment for a few years now. She is preparing a film written and directed by long-term inmates in a prison in the projects around Paris. Twice a week, Barbara goes to the prison where she shoots interviews with the inmates which will serve as a basis for the writing of their screenplay.

Eddie's Life Coach(en)

Eddie's mom signs her slacker son up for a digital training seminar to get his life back on track.

The Fence(pl)

An unusual couple, Leszek and Mikolaj, move into a stud farm that one of them inherited form his father. When Mikolaj discovers that someone has destroyed their wooden fence, he becomes obsessed with fixing it. Yet, can the fence really protect this relationship from a hostile environment?

Odoriko(ja)

Odoriko performances are intense, sometimes acrobatic choreographies, performed in sumptuous costumes—at least, until the costumes come off, because these dancers practice the Japanese form of striptease theater. The art was once popular, but is now seen only in a few clubs in the country. Filming on mini-DV tape, as if he is not actually in the room, director Yoichiro Okutani observes the unusual, traditional profession of the odoriko and the contrast with the modern, everyday questions the women struggle with.