In his newest sex film, Max Sohl takes us back to his beloved Meat Rack, where cruising is the national pastime and breeding is the premier Olympic sport. If human sperm spilled on dirt could reproduce, there would be millions of Meat Rack babies in the world. For decades, Fire Island's Meat Rack (situated between the gay communities of The Pines and Cherry Grove on Long Island Sound in New York) has been one of the hottest destinations for men whose greatest desire is to have free and abandoned sex with each other. Men like Christian, who captures loads of sperm and more piss than ever before, and all the other horndogs who appear in this third film of the Meat Rack series.
A feature-length documentary to show why Britain should vote to LEAVE the EU - and would thrive outside of it. Brexit: The Movie spells out the danger of staying part of the EU. Is it safe to give a remote government beyond our control the power to make laws? Is it safe to tie ourselves to countries which are close to financial ruin, drifting towards scary political extremism, and suffering long-term, self-inflicted economic decline?
The Inspector goes after Spider Pierre an expert pickpocket.
Middle-aged painter and young musician fall hard for each other while on vacation. Then she discovers he's married.
Mallory, who’s biggest fear is growing up, is thrown a surprise party she didn't want until an old friend shows up.
This portrayal of small town life before the War is based on a small boys determination to get to see the circus, over all obstacles. Escaped lions, lightheaded blackmail of his father, and playfully planting stolen papers on his sisters boyfriend are all in a days work for little Henry Peck.
A group of children put on a show in order to prove that a down and out musician was the real composer of a Broadway show's songs.
When two tough guys leave a bar to fight, their search for the right spot becomes an adventure.
A biographical documentary about the Belgian free-diver Fred Buyle and his art of silent diving.
Apathy, technology, paranoia, disease and medication. Meet Arin. Arin is a shy videographer who finds it too much to handle to go out and meet girls, so he sets up an account on meester.net. The flood of responses never comes, save for one email from Susan, a struggling artist who finds her job as a waitress stifling her creativity. Susan is also on the shy side and is seeking an alternative to the classic dating situation. When Arin and Susan finally meet, that alternative dating situation comes to life as the two refuse to communicate verbally with each other, wanting to avoid bs small talk.
Explore the life of one of the best-known and most influential religious leaders of the 20th century. An international celebrity by age 30, he built a media empire, preached to millions worldwide, and had the ear of tycoons, presidents and royalty.
Originally released in 2001, Disposable Arts is a thematic/concept album by Masta Ace. The concept follows that Masta Ace is being released from prison, his return to home and joining ‘The Institute of Disposable Arts’. The album is one complete story with the skits and songs together. The album contain many guest artists like Masta Ace’s own group eMC (Stricklin, Punchline & Wordsworth), Apocalypse, Greg Nice, Rah Digga, J-Ro, King T, Jean Grae and more. Also a bunch of different producers, this album is seen as a classic album by most Hip Hop heads. This reissue by Below System, contains almost a 2 hour making of DVD where you will see most of the contributors to the Disposable Arts album. Interviews, stories behind the tracks and more content about the making of Disposable Arts.
Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."