First Ambulance(2006)

Is Everybody Happy?(en)

This is the story of Ted Lewis, popular band leader and clarinettist.

Rhythm Parade(en)

A nightclub performer, jealous about the talents of an aspiring singer, tries to sabotage her chances at a professional career.

Sweethearts of the U.S.A.(en)

A WW-II defense plant worker gets knocked out and dreams about helping the war effort in various ways, including solving a crime.

Édith Piaf : L'Hymne à la môme(fr)

Jean-Jacques Goldman - Souvenirs de Tournées(fr)

Swing Out, Sister(en)

Universal cowboy star Rod Cameron plays Geoffrey, conductor of a high-toned symphony orchestra. Secretly harboring the desire to become a swingin' jazz trumpeter, Geoffrey takes a job at a "hot" Broadway nightclub. Here he meets and falls in love with café songstress Donna (Frances Raeburn), who has led her family to believe that she's studying for a classical-music career. Meanwhile, a comedy-relief romance develops between Geoffrey's snooty valet Chumley (Arthur Treacher) and Donna's best pal Pat (Jacqueline De Wit). For those not interested in the plot (what there is of it), Swing Out, Sister includes specialty numbers by organist Selika Pettiford and the Lou Diamond Quintet.

I'm Nobody's Sweetheart Now(en)

In this low-budget musical, two sets of politically ambitious parents attempt to pair up their youngsters who unfortunately despise each other and only pretend to like each other to please their parents. On the nights they are to go out, they sneak out with their respective true loves. It all works well until the unwilling couple find themselves falling in love for real. songs include: "I'm Nobody's Sweetheart Now", and "Got Romance".

Sweetheart of Sigma Chi(en)

A couple of gamblers pressure the local night club owner to rig things so the local college rowing crew will lose their upcoming race.

One Sunday Afternoon(en)

The third film version of James Hagan's play, this time with songs added, starring Dennis Morgan as a dentist who marries patient and loyal Dorothy Malone despite his constant infatuation with sexy flirt Janis Paige. Filmed previously in 1933 ("One Sunday Afternoon") and 1941 ("The Strawberry Blonde").

Thumbs Up(en)

In this wartime musical, a feisty singer working in a London dive swears that she will become a star. She gets a job in an airplane plant when she learns that her fiance, a producer, and his partner are looking for new talent at the war factories. While working there, the woman meets a handsome RAF officer and falls in love. This causes some trouble.

Sing, Dance, Plenty Hot(en)

In this musical, a con man makes a good living by promoting bogus charity shows. He gets the communities all revved up and then skips town with all their money. But then he meets three earnest people wanting to garner financial support for an orphanage. This time the con man's loyal assistant finally catches on to the wicked scam and turns him in to the police. Meanwhile, the newly reformed assistant and one of the charity workers fall in loves.

Square Dance Katy(en)

In this musical, an ambitious young singer and her band leave their small hometown to head for the Big Apple in hopes of finding fame and fortune.

Freshman Year(en)

A budding entrepreneur nearly loses everything after his get-rich quick scheme selling "flunk" insurance to his fellow students goes terribly awry.

Swing, Sister, Swing(en)

In this musical comedy, two star-struck small town kids head for the Big Apple and become famous for their jitterbug act. Their fame doesn't last long, but they had fun anyway. Songs include: "Baltimore Bubble," "Gingham Gown," "Just a Bore," "Wasn't It You," "Kaneski Waltz" (Frank Skinner, Charles Henderson).

Hawaiian Nights(en)

Bandleader Tim Hartley's father objects strongly to his son's occupation choice and packs him off to Hawaii to manage the family hotel holdings. This proves to be a wrong move as Hawaiia has more bands than it does pineapples.

Ma, He's Making Eyes at Me!(en)

In this musical, a sharp witted press agent teams up with an unemployed chorine and dubs her "Miss Manhattan" to promote a cheap line of clothing. To escort her about town, the agent invents a "Mr. Manhattan." He then has them fake a marriage. When he realizes that he is in love with his creation, the agent promptly fires "Mr. M" and takes her to the altar personally. Songs include: "Ma, He's Making Eyes At Me," "Unfair To Love," and "A Lemon In The Garden Of Love."

I Can't Give You Anything But Love, Baby(en)

In I Can't Give You Anything But Love, Baby, Broderick Crawford plays a sentimental gangster who abducts songwriter Johnny Downs and forces him to write a love ballad. It is Crawford's hope that the song will reach out and touch his long-lost childhood sweetheart. I Can't Give You Anything But Love, Baby was based on James Edward Grant's short story Trouble in B Flat; echoes of the basic premise later resurfaced in the 1957 "A" picture The Girl Can't Help It.

La Conga Nights(en)

In this comedy, actor Hugh Herbert plays six different roles. Only one of the roles is a man. The story centers around a dizzy music lover, who has grown rich through real estate deals. Also figuring in the story are a cab driver/performer, and a down-on-her-luck, aspiring singer. They meet when she hails his cab as she skips out on her former boarding house because she cannot pay rent.

Too Many Blondes(en)

The plot centers on a husband-wife radio team, Dick (Rudy Vallee) and Virginia (Helen Parrish). When Dick is caught in an innocent but compromising situation with brassy blonde showgirl Hortense (Iris Adrian), Virginia is encouraged to inaugurate divorce proceedings by her oily ex-beau Ted (Jerome Cowan). It all winds up in Mexico, with Dick ardently chasing Virginia until she catches him.

Sing Another Chorus(en)

In this musical, an idealistic college graduate is bitten by the show business bug after he finds success writing and producing the campus variety show. Wanting to launch his career, he convinces his father to allow him to create a production using the workers at the old man's clothing factory. Unfortunately, the young man is naive and an unscrupulous producer bilks his father's advance money from him.