SX-70(1972)

Sx_Tape(en)

From the director of CANDYMAN and the producers of PARANORMAL ACTIVITY comes a found-footage nightmare of lust, possession, and destruction. Jill's an artist. Ian's a filmmaker. And their love life is off the chain. There's no experience too wild, no dare too dangerous—not even when Jill lets Ian strap her to a gurney in the abandoned hospital they're scoping out for their next art show. But he shouldn't have left her alone. Not even as a joke. Now, Jill's hookup with horror has awakened something in that place. Something with a lust for more than flesh.

Nullarbor(en)

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Men(en)

Men will be men.

Forest(en)

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

That Which Will be Snuffed by the Hand of Darkness(fa)

Experimental video diary shot 2016-2022

Cachito Mio(en)

Vicky has the winning ticket of the National Lottery, however, it doesn't belong to her. She will have to deal between taking it or returning it to its real owner, her boss.

Truce(S)(es)

Ara and Edu have been lovers for a decade, when they were a novice actress and screenwriter. Apart from their "official" relationships, they always find a moment to be together, an oasis in their lives.

Hollywood Road Trip(en)

Chaz, a vintage magazine collector, decides to go on a road trip with his friends to Hollywood after discovering his evil landlord's plot to kill the creator of their favorite magazine. With everything at stake, Chaz is forced to choose between his beloved vintage collection, his best friends, the girl of his dreams, or saving an innocent man's life.

Der große Karpfen Ferdinand(de)

Darling(te)

Prabha prepares to meet Nandini, his childhood friend, at a reunion party organised by his father. However, things take a turn when Nisha, a gangster's daughter, falls in love with him.

Hello! Project DVD Magazine Vol.3(ja)

Various introductions corners, card games, quizes, 'Making Of', and concert 'Backstage Footage'.

Heath Harmison: Raising Insanity(en)

Heath is one of the brightest new comedians out there. His family-friendly style of comedy kills in clubs, colleges, and festivals including the Fringe Festival in Edinburgh, Scotland.

Klaas van der Eerden: Schaap(nl)

1-2-3(es)

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Crèches, nos enfants en danger(fr)

O nome dele é Tiago(pt)

Abductees(en)

Five tales of alien abduction told using a wide range of animated techniques.