The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.
Alfredo Germont
Giorgio Germont
Flora
Le Medecin
Conductor
The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.
2019-04-07
7.7
The full 2-hour performance of Liza's 2009 concert is available only as a part of this special collector's edition. This exciting midnight performance was recorded at the MGM Grand in Las Vegas on October 1, 2009. Act One features favorite songs by Ms. Minnelli. Liza adds a new personal musical introduction to the fond remembrance of famous vaudevillians. Act Two is a very special tribute to Liza's godmother, Kay Thompson, a groundbreaking singer-dancer, songwriter, and vocal arranger/coach at the MGM Studios in the 1940s. This documentary captures Liza Minelli's award-winning 2009 Broadway concert that featured renditions of favorites from throughout her career. The setlist includes "Cabaret," "Liza," and "New York, New York."
Conglomerated Assets, a brokerage firm is sinking fast as its CEO checks out and leaves the company to his inept film school drop out son. Enter Quincy, Waverly, Erica, Rudy, Tina and Yasmine. Team QWERTY--six sexy secretaries that must save the day.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
After finish his work Marchino finds the body of a teenager girl and goes to BarLume to call the police who don't believe him after his infamous past. Massimo goes to check and here starts a new story of BarLume.
This is the second Indonesian Tarzan film with Barry Prima. The previous one was Tarzan Raja Rimba made in 1989.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Amuro Ray and the rest of the White Base crew, now denominated the 13th Autonomous Corps, return to outer space to support the rest of the Earth Federation forces for the decisive battle against the Principality of Zeon's forces.
1804 is a feature length documentary film about the untold history of the Haitian revolution
STOP + Cop = "Stop" or "Slow down" ? Make the right choice. An interactice movie by Ken Arsyn.
Chad's senior year in high school was supposed to be what every teenager dreams it will be: fun, exciting and full of anticipation. But when his brother David is diagnosed with cancer, Chad's entire world comes crashing down around him. Chad has a shot at a full track scholarship at San Angelo State and David's earth-shattering news couldn't have come at a worse time. Further complicating Chad's struggle is David's insistence on mending the bitter relationship between Chad and their father, who recently walked out on their family. In this emotional fight to find out what really matters most in his life, Chad learns to trust God and to go "beyond belief". This one hour mini-movie is built around six state-of-the-art concept music videos by the rock band Petra, featuring songs from the album Beyond Belief.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
Omar and Alia are in love and decide to get married , but Omar discovers that her sister Fatima is infamous who works in a bar so he walks away from her, and marries Kismat , while Alia marries her childhood neighbor, but they do not find happiness and events escalate.
Amateur filmmaker Kemal Mutlu captures scenes of everyday life with plans of making a film. He lives with his housemate Nuri in a small flat in Istanbul. One day,Nuri's friend from orphanage, Izzet, comes to visit unannounced. Just out of prison, Izzet's colorful character grabs Kemal's attention, and he decides to make a film about him. Unfortunately, it soon turns out that underneath his friendly exterior, Izzet is a psychopath. When he is refused entry into a bar, he gets in by force and kidnaps actress Oznur Kula. Kemal is happy to have found an actress to star in his film, however things soon get out of control as Izzet's sick plans unfold.
Pilar, a young hotel maid, has her path crossed by Shin, a middle-aged South Korean guest. The plans of both go wrong and, despite everything that separates them, they end up getting closer and establishing a relationship of solidarity.
A call girl who comes to visit a badly scarred client at a rundown motel gets a lot more than she bargained for once her clothing is shed and the mysterious history behind a legendary name begins to unfold.
Sang-woo is suffering from erectile dysfunction and premature ejaculation, because he is worn out from Ji-eun's strong sexual desires. Then, one day, Ji-eun sends him to a treatment center and the specialist is no other than his ex-girlfriend, Hye-ran. They bicker about past things, but in the end agree to start treatment. Hye-ran manages to bring back Sang-woo's sexual desires with lower body exercises, massages, sexy dances and mental therapy. On the day he is discharged from the center, Sang-woo and Hye-ran share a last kiss, but end up wanting each others' bodies...
A detective is hired to protect the life of a singer, who has recently inherited a department store, from the store's crooked manager.
Superstar crossover vocalist Sarah Brightman greets the new millennium with a bold sense of her unique musical niche in this live concert, La Luna. Drawing heavily from her same-titled CD, the material touches on images of the moon that reinforce its ambiguity as a force known to draw together "the lunatic, the lover, and the poet" (Brightman's revealing woodsy outfits and tinsel crown do seem to suggest a sort of Titania-like figure out of a New Age Midsummer Night's Dream).
This collection includes Whitney's 1985 television debut, live performances from around the world, rarely sen behind-the-scenes footage, exclusive interviews and much more, all with a fully interactive Whitney as your guide!
Recorded on July 18, 1993 at Peer Blues Festival in Peer, Belgium whilst touring in support of the "Feel This" album. The band normally performed as a trio however for this show they add a keyboardist and two backing vocalists giving the songs greater depth and range taking the entire performance to a new level. The Jeff Healey Band were legendary live performers , this captures them at their very best.
Beth Gibbons (vocalist for acclaimed UK band Portishead) was formally invited to Poland in 2014 to sing soprano at Warsaw’s Grand Theatre. This performance forms the basis of the film and album titled Henryk Górecki: Symphony No. 3 (Symphony of Sorrowful Songs) performed by Beth Gibbons and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki.
Simultaneously filmed English language version of a period operetta, in which a Polish noblewoman is romantically linked with a revolutionary student activist.
Tan Dun portrays the Venetian explorer's travels to the Far East as a journey of both inner and physical discovery, a voyage depicting spiritual experiences as well as a geographical expedition. Pierre Audi's mythical staging and Jean Kalman's fabulous set design complement the composer's own musical direction, forging the dazzlingly versatile soloists, the Netherlands Chamber Orchestra and Cappella Amsterdam to a stunning symbiosis of elements across time and space, a true testimony to cultures intertwined in globalization.
Glyndebourne's wartime history as a home for evacuee children is the ingenious context for a new production of this unclassifiable entertainment in which low comedy and high tragedy compete for our attention, "borne aloft by Strauss's divine music and Hofmannsthal's visionary poetry". At the centre of this production from Katharina Thoma is the noble, tragic figure of the abandoned Ariadne herself, in a haunting performance from Soile Isokoski, 'with brilliant support from the pit' (The Independent).
At the English National Opera, Deborah Warner has been directing Benjamin Britten's final opera, Death in Venice, conducted by Edward Gardner.
At the Opéra Royal de Wallonie-Liège, stage director David Hermann and music director Christian Zacharias lead a production of Otto Nicolai's 1849 opera The Merry Wives of Windsor, a work that draws its inspiration from William Shakespeare's beloved eponymous play.
La vida breve, an Andalusian opera in two acts written by Manuel de Falla on a libretto by Carlos Fernández Shaw, staged by Giancarlo del Monaco at the Palau de les Arts Reina Sofía, in Valencia.
In 2009, Frédéric Mistral’s tale of love and loss in Provence came to the Opéra de Paris with a new production of Gounod’s 1864 opera Mireille. Nicolas Joel’s naturalistic staging frames the accomplished performances of Albanian soprano Inva Mula as Mireille and American tenor Charles Castronovo as her ardent country lover Vincent.
Stage director Jean-Louis Grinda and the Opéra de Monte-Carlo present Verdi’s early smash hit opera Ernani. Ramon Vargas heads up an incredible cast in the heroic title role and maestro Daniele Callegari leads the Monte Carlo Philharmonic Orchestra in the sumptuous melodies of Verdi’s score.
While best known today for having composed the ending to Puccini's unfinished Turandot, Franco Alfano wrote some dozen operas, including Cyrano de Bergerac (1936) with a libretto by Henri Cain based on Edmond Rostand's drama of the same name. It is a moving tale of romantic misunderstanding, swashbuckling bravado and heartbreaking loyalty, in which the eloquent Cyrano feels unable to express his love for Roxane because of his famously protuberant nose except on behalf of his handsome but inarticulate friend, Christian.
This elegant romance is the least-known work of the mature Giacomo Puccini . The story concerns a kept woman who defies convention to chase a dream of romantic love with an earnest, if naïve, young man. This Met Opera production features the dynamic soprano Angela Gheorghiu and Frenchborn tenor Roberto Alagna performing the roles of Magda and Ruggero, it blooms into its rightful place in the glorious Puccini canon. La Rondine (The Swallow) was commissioned by Vienna s Carltheater in 1913. Due to the impending outbreak of World War I, premiered in 1917, at the Opéra de Monte-Carlo with Gilda Dalla Rizza and Tito Schipa. Set in a Parisian salon, it is the story of Magda, the glamorous mistress of wealthy banker Rambaldo. Her yearning for romantic love compels her into the arms of the ardent and adoring young Ruggero.
This production is a gala affair; the sets are traditional (evocative of 18th-19th century Spain); the lighting is bright, so colors are good and one can see all of the action. Singers are generally well chosen and perform admirably. However, at this point, slight reservations creep in; although Janowitz (Fidelio/Leonore) and Kollo (Florestan) look "good" and act well, the singing parts tax them a bit when pushed to the limit. Most of the time that doesn't matter, and an argument can be made that a little vocal strain is in character with their dire plight. Ideally, for me, Vickers as Florestan would have added extra vocal heft and more sensitive acting than Kollo.
The delightful light operatic farce by Johann Strauss is presented at the Morbisch Lake Festival (Seefestspiele Mörbisch) starring Herbert Lippert, Richard Samek, Heinz Zednik and Dagmar Schellenberger.