With their father in prison and mother dead, three children from the West Bank are smuggled into Israel and taken to the house of their distant relatives, George and Rita, in Jaffa. Rita, who longs for a child, embraces them as her own but George is wary of the grave legal implications their actions might have. Meanwhile, a British film director recreates 1947 Jaffa outside George and Rita’s house. When their present-day reality meets the historical events that led to it, tragedy ensues.
Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
Amidst radical changes in nicotine use globally, one filmmaker's journey through the confusion & fear leads to a startling discovery about Earth's most hated stimulant. Society may be changed forever.
After a series of small tremors in Los Angeles, Dr. Clare Winslow, a local seismologist, pinpoints the exact location and time of when the long awaited earthquake--"The Big One"--will strike southern California. With this information, she must battle city officials to release this information to the general public. Also, she hopes that her family is out of harms way when the quake strikes. Subplots show how other families and people cope with the the tremors that strike before the impending "Big One."
Film geek Josh is looking for the subject of his new documentary when a chance meeting puts the perfect star in his sights—Dylan, his school's most popular junior. But Dylan's hopes of using the film to become Blossom Queen don't quite match with Josh's goal to make a hard-hitting exposé about popularity. Will Josh shoot the film as planned, or show Dylan as the truly interesting person she is?
When a nine year old boy's obsession to become invisible gets out of hand, his family decides to intervene. Although it seems to solve the immediate problem, their tactic pushes the boy further into a world of his imagination. Adding to his confusion is the arrival of his teenage cousin who seems to have a secret of her own. It is an eventful summer vacation where each one's fantasy world would collide with reality and leave them scarred.
Groot discovers a miniature civilization that believes the seemingly enormous tree toddler is the hero they’ve been waiting for.
The story follows a boy named Quon and others who suddenly wake up with supernatural powers.
All kinds of crimes are being committed in a frontier settlement; if you blame it on the Chiricahuas afterwards, you can get away with anything. One Chiricahua hooks up with a white guy and a black woman who have been victimized by the status quo, and the three of them whoop some righteous-vengeance butt.
It features behind the scenes footage of the Morning Musume.'19 Concert Tour Haru ~BEST WISHES!~, from April 14 at ORIX Theater up to May 12 at Sapporo Cultural Arts Theater hitaru.
John Schuyler, a happily married lawyer, is appointed diplomat and sent to England. Due to an unfortunate accident, his wife and child can not come along with him. On the ship to England, Schuyler meets the notorious Vampire - a relentless gold digger who causes the moral degradation of those she seduces, first fascinating and then draining the very life from her victims.
A prank that starts with a group of college students creating a fictitious person so they can get a credit card develops into a plot that leaves three of them dead.
In this show, Neville narrates stories about his struggles with his age, bring orphaned, adulthood, death, depression, divorce and suicide. This isn't the only thing that doesn't make it a regular stand up special, it's also that he's doing sitting down. He treats his audience like is therapist and pretty much leaves them bereft of hope but bloated with laughter. It's dark, it's poignant, it's melancholic but it's hilarious. Considered one of the comics with the darkest material in India, Neville doesn't disappoint. The topics he deals with are narrated anecdotally, making them approachable. He doesn't make fun of them; he makes fun about them. Afflictions, vulnerabilities and flaws are a part of human beings and Neville takes his feelings about them, analyses and then presents them. It's a perspective of someone who is going through them. And you see him crumble and rise with each story, you can also see him going downhill.
John Cage’s original concept of Ocean, in 1991, was for a dance to be performed in a circular space, with the audience surrounding the dancers, and the musicians (112 of them) surrounding the audience. The last performance was in the Rainbow Quarry in Minnesota, September 2008, at which time the piece was filmed by Charles Atlas.