On July 22, 1997, Phish performed the second show of their US summer tour at Walnut Creek Amphitheatre in Raleigh, NC. During the show, a thunderstorm of biblical proportions passed by, letting loose a torrential downpour with thunder and lightning that accentuated the electricity of the event. This DVD documents the collision between a force as imaginative and powerful as Phish and the supreme forces of Creation, and it contains the complete concert, uncut.
The Clifford Ball was an absolutely phenomenal, unequivocally religious, amazing event at the former Air Force Base in Plattsburgh, New York, in August 1996. Phish performed three sets and an encore on each of the two show days of a Friday-to-Sunday event, where some 70-80,000 fans camped on site for three days.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
A man with a grudge against the late Little Joe seeks revenge on the Cartwrights and attempts to take over the Ponderosa.
Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.
After the Combiner Wars ended, Cybertron started to be rebuilt. However, an undead Starscream has been reincarnated as Trypticon, wreaking havoc around him. To combat this menace, Windblade gathers up a ragtag team of Transformers, including Optimus Prime and Megatron, to resurrect an ancient ally. And while some may be forever changed by the events, others may not emerge with their sparks intact.
A former alcoholic returns home after ten years in prison for the murder of her husband. As her recollection of the murder returns, things take a different turn.
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
Robots live alongside mankind in a not too distant future, but are they really living?
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
To the tune of Rubinoff and his orchestra, Betty Boop and feathered friends try to save a baby bird from the booze-swilling Tom Kats Club.
Mechanic Stepanych goes on a tourist trip to Spain with his wife and daughter. Being tired of them Stepanych is looking forward to meet his friend Semyon. Yanychar is a killer hired by oligarch Vorkutidze and is also waiting for Semyon in Spain.
This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign.
A single man has worked most of his life in a supermarket. One night, he unexpectedly meets with his father, and the two are faced with the question of the reasons for their separation.
The Rangers are after Yackey and his gang. Posing as an outlaw, Dave arrives as Panhandle's prisoner and works his way into the gang. Tex arrives and joins Wright's committee. Tex plans a trap for the gang but things go awry when the gang catches Tex and the Committee catches Dave and both are about to be hung.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.