The Clifford Ball was an absolutely phenomenal, unequivocably religious, amazing event at the former Air Force Base in Plattsburgh, New York, in August 1996. Phish performed three sets and an encore on each of the two show days, of a Friday-to-Sunday event, where some 70-80,000 fans camped on site for three days.
On November 2nd, 1996, Phish performed at Coral Sky Amphitheater in West Palm Beach, FL; the only outdoor shed show of the Fall Tour. The show combined the residual energy of Halloween with a tropical feel that could only have happened in South Florida in November. Amidst swaying palms and soft breezes, the band played a deeply experimental show. They were joined by percussionist Karl Perazzo (Santana), whose contribution helped extend and build upon the magic of Halloween, adding polyrhythms that explored new space within Phish's music.Set 1: Ya Mar[1], Julius[1], Fee[2] -> Taste[1], Cavern[1] > Stash[1], The Lizards[1], Free[1], Johnny B. Goode[1]Set 2: Crosseyed and Painless[3] -> Run Like an Antelope[4], Waste[1], Harry Hood[1] > A Day in the Life[1], Sweet AdelineEncore: Funky Bitch[5]
It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.
Ma and Pa, along with daughter Rosie, go off to Hawaii in answer to cousin Rodney's call for help running his pineapple farm while he recovers from an illness. Pa soon causes a major explosion and gets himself kidnapped.
An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.
"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage
Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.
After an assassination attempt, a broke mob wife takes over his husband's dirty work and collects her husband's debt with the help of her best friend - a hairdresser and her step daughter.
Jürgen likes Lisie. And Lisie also has a crush on Jürgen. Anton, Lisie's little boy, frankly doesn't like Jürgen. But Lisie just puts the boy in Jürgen's Passat. When he begins to tell a moralizing anecdote, the world outside the car changes unexpectedly...
Huo Yuanjia, hunted by the Qing soldiers, must master a new set of fist techniques to defeat them.
Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.
Rei, the deadly but reluctant assassin for the Zero Division of the Tokyo Police Department, befriends a young man after she sees him cruising a gay bar looking for johns. After he gets beaten up by a group of street thugs, she takes him in to live with her. When a series of vicious murders takes place, she begins to suspect that the killer may actually be her friend taking revenge on everyone who has abused him. Will she uphold her duty to the police, or protect her only friend?
Documentary about the process canned pineapple takes from cultivation to sale.
On the night of March 5, 2002, an armed terrorist opened fire on civilians dining in a Tel Aviv restaurant. Druze policeman Salim Barakat quickly arrived on the scene and bravely eliminated him. However, he was killed by the terrorist. For ten years, Jamal, Salim's brother, has been attending annual police ceremonies in commemoration of his brother. Suspecting they may be withholding information, he decides to go on an investigative journey to find out who killed his brother. This is the story of a bereaved brother facing the Israeli security establishment, of a Druze facing the State of Israel, and more than anything, of a man facing himself.