
A dreamlike cinematic collage exploring the life, times and choices of the Russian avant-garde theatermaker Vsevolod Meyerhold. An innovative artist becomes a tool in the hands of the socialist revolution.


A dreamlike cinematic collage exploring the life, times and choices of the Russian avant-garde theatermaker Vsevolod Meyerhold. An innovative artist becomes a tool in the hands of the socialist revolution.
2018-09-11
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5.6Young Africans in Paris face insecurity and vague future. Should they stay in France, or return to their homes?
0.0A provocative and ironic pamphleteering documentary about the making of Christoph Schlingensief’s Nazi-'Hamlet’ (2001). Both a media event and a form of political action Schlingensief let ex-neo-Nazis play themselves. His provocation in so-called Nazi-free Switzerland was not appreciated and when he added fuel to the flames by calling for the local political party SVP to be banned, his media offensive made front-page news far beyond Switzerland.
6.8An accountant, presumed honest, inadvertently finds 7 million francs in his bag and decides to change his life.
8.0New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.
6.2A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
6.0The theatre 7:3 project was conducted at the Tidaholm prison 1998-1999. What started as an artistic experiment, ended up in police killings at Malexander. The process in the prison were filmed during 6 months.
Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.
6.2The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...
7.3A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.
6.0Pavel Pavlovich Goryaev is not that young of an actor. For many years he plays in the provincial theater in leading roles. The director of a play based on a play that was written for Goryaev takes the young actor for his role. Goryaev at first falls into despair, leaves the theater, turns to friends. After a while he digests what happened and realizes that it is time to leave the stage with dignity.
8.1In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
6.4A determined young boy living in a small village strives to obtain enough money to purchase a ticket to the cinema.
8.9On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.
6.4New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.