1937-10-30
0
Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
A man is increasingly unnerved by a mysterious portrait. Based on a story by Nikolai Gogol, the film is thought to have run about 45 minutes long, but only an 8 minute fragment is known to have survived.
Whilst documenting his life as a lowly intern, James Parker (James Powell) uncovers the long forgotten film, The Street Walker. Desperate to make a mark on the film industry and to prove his ever-doubting parents wrong, James endeavours to complete the unfinished horror movie, resulting in a murderous obsession.
A quintessential example of the period "ghost cat" (bakeneko or kaibyo) movie, this was one of at least six such titles released by the studio Shinko Kinema between 1937-40 featuring Japan's first scream queen, Sumiko Suzuki. Here she plays Mitsue, the possessive onna-kabuki actress betrothed to apprentice shamisen player Seijiro. When one day Okiyo, a beautiful young girl of samurai class, is led to Seijiro's house by his lost cat Kuro, she becomes besotted with him. Dark jealous passions are invoked in Mitsue, which are intensified when Seijiro gifts Okiyo his precious shamisen. The cat is the first to suffer at the end of Mitsue's hairpin, but returns from the grave to assist Okiyo's younger sister Onui avenge her sister's murder.
A man takes a job at an asylum with hopes of freeing his imprisoned wife.
In a dream Uncle Jack looks through a magic telescope owned by the ghost of a hermit and sees what life was like millions of years ago, including a battle between prehistoric monsters.
Nabeshima Naoshige murders his lord, Ryuzoji Takafusa, seeking to gain power and steal his Lord’s wife. To avoid her fate, Lady Takafusa drowns herself along with her cat in a nearby marsh. A decade later, Naoshige’s efforts to steal another woman trigger a curse on him when she also commits suicide at the same marsh — forcing him to suffer the consequences of his past actions.
In a prologue and four acts (the prologue and the first act are lost so is necessary to describe what happens with title cards) the film depicts the terrible dream of Asmus wherein the devil joins the human world disguised as a tinker. He meets Frau Ane, Asmus' wife; Ane yearns to have a baby but in vain so the devil takes advantage of Frau Ane's motherly inner desire by making a deal with her but for his own purposes. As a result, the farmer's wife comes under the devil's spell and then seduces the local priest, giving the devil to chance to build his own church to replace the old church that has burned down.
Diantha Ebberly travels with her parents to the edge of the Sahara to meet her longtime betrothed, Herbert Medford, whom she has never seen. She is rescued from a swarm of beggars by an "Arab," then meets him again when she slips out at night in native dress. They fall in love, but Diantha is abducted by Sheik Amud, then returned safely home by the "Arab." The next morning Diantha discovers her fiancé and lover to be one and the same.
Pastor Talnoх furiously urges the flock to fight temptations, but he himself becomes a victim of temptation. In his house appears Satan, pushing the hero to theft and spiritual fall.
Kalle Utter is theologian student at Uppsala University sometime during the latter half of the 19th century.
A love triangle set against the turn-of-the-century gold rush.
A six-part adaptation of William J. Locke's novel "Where Love Is."
Mary Miles Minter is Sylvia, the niece of a man who leaves her a fortune. The money is in the hands of his lawyer, Baxter, who uses it to support his ambitious wife and daughter. Sylvia comes to Baxter's home and it's obvious she's not wanted there. Arnold, Baxter's son, is wasting his life away with drinking and nightclubbing, but Sylvia sweetly influences him to straighten up.
Frank Prentiss, a multi-millionaire who hates and distrusts women, convinces his adopted son, Jack, that they are detrimental to a man's success. The overworked Frank is forced to rest at the country home of his friend, Mr. Gray, where he meets and falls in love with the host's daughter, Kate. She refuses his proposal at first, but later accepts because her father, who has two younger children, is experiencing financial difficulties. Following the wedding, Kate is subjected to Frank's verbal abuse and seeks solace with Jack. Their friendship enrages Frank, who tortures them with his accusations. During a dinner party, Frank accuses Jack and Kate of being lovers in front of the male guests. Jack is restrained from accosting his father, but Frank suffers a fatal heart attack. Later, Jack and Kate fall in love and are married.
The optical company Bausch & Lomb of Rochester, New York, contracted Watson and Webber to create this corporate industrial film to showcase the company’s extensive catalog of lenses and other optical instruments, displaying their practical applications in industry and everyday life. The Eyes of Science easily straddles the fields of avant-garde and industrial filmmaking, making both a fascinating object of form and style, as well as a highly educational, entertaining, and informative piece of film and industrial history.
The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.