Audra McDonald: Go Back Home(2013)

Hey Qween - Holigay Special(en)

Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!

Rheme Maining Sources(pt)

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

Les Petites Mains(fr)

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

Qwerty(en)

A mentally-afflicted young man is accused of murdering his longtime benefactor. The real truth of what happened lies in his mad obsession with his supposed victim's old typewriter, on which he types relentlessly, day and night.

Fight club camp kusse(da)

Avatar: Enter The World(en)

A behind the scenes look at the new James Cameron blockbuster “Avatar”, which stars Aussie Sam Worthington. Hastily produced by Australia’s Nine Network following the film’s release.

Film(en)

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

High Maintenance(he)

A fascinating journey through the life of Israeli artist Dani Karavan, an irreverent and charismatic creator, recognized worldwide for radically transforming public space with his monumental environmental installations.

Rubbish(en)

A man dumps the garbage of his neighbours. Little does he know that this is going to affect his relationship to a woman.

War(en)

In the gray dawn of an October day, as the inhabitants of a village street in Tripoli are engaged in the enjoyment of their several pursuits of life, an Arab rushes upon the peaceful scene, announcing that Italy has declared war against Turkey and that the Italian warships are now in the harbor, shelling the city.

Qwerty(en)

Conglomerated Assets, a brokerage firm is sinking fast as its CEO checks out and leaves the company to his inept film school drop out son. Enter Quincy, Waverly, Erica, Rudy, Tina and Yasmine. Team QWERTY--six sexy secretaries that must save the day.

The Stop on Main Street(sk)

"A film after film". A director goes to Sabinov, where the Oscar-winning film The Shop on Main Street was shot almost fifty years ago. He meets people connected to the film as well as others who remind him of various characters. A tribute to a particular film as well as to film as such.

Body, le corps du frère (Brother's Body)(en)

Bodybuilding - an unrecognised and maligned discipline, which in this film joins and separates two brothers, in an unexpected and moving meeting.

Bring Me the Head of Lance Henriksen(en)

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

Journey Across the Mainland(zh)

Joseph Kuo's final film.

The Secret Six(en)

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

Wong Fei-Hung : Return of The King(zh)

People(en)

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times