
At the funeral of their best friend Mathieu (40 years old), four boys and three girls meet for the first time. They are between 22 and 26 years old, all knew Mathieu separately, and each of them thought he was his only friend.
Théo
Kim
Ivan
Antoine
Eva

At the funeral of their best friend Mathieu (40 years old), four boys and three girls meet for the first time. They are between 22 and 26 years old, all knew Mathieu separately, and each of them thought he was his only friend.
2009-10-07
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5.3The successful short film compilation series continues with six outstanding films focused on school and college-age youth. 6 Shorts: Benny's gym (2007); Flatmates [Kompisar] (2007); Kali Ma (2007); Mr_Right_22 (2007); Secrets (2007); Yeah No Definitely (2007).
7.8The popular musical is brought to life on soundstages at London's Three Mills Studio, in a live TV dramatisation of the timeless story of Maria and the Von Trapp Family singers, one of the world's best-known concert groups in the era immediately preceding World War II.
6.0Marquise de Merteuil, former lover of Vicomte de Valmont, incites him to corrupt the innocent Cécile de Volanges before her wedding night, but Valmont has targeted the peerlessly virtuous and beautiful Madame de Tourvel.
Losing his memory after a mugging, a man known only as 'MP' (Missing Person) leaves his home and sets out on a journey - in search not only for his memory but perhaps also for a new identity. MP finds himself confronted by a world in which there are no longer any certainties; an era of crisis on many levels. On his travels from country to country, portrayed via an associative image montage and through a series of strange, illuminating, sometimes comic encounters, MP attempts to gain insight into the complexity of life in the 21st-century West - into what commentators have called an age of 'rolling catastrophe'.
6.3The interlocking stories of two Lakota boys growing up on Pine Ridge Reservation. At 23, Bill just wants to make something of himself. Meanwhile, 12-year-old Matho can’t wait to become a man. Bound by their shared search for belonging, each of the boys grapple with identity, family, and loss, as they navigate their unique paths to manhood.
5.7Sophie comes to New York from France with the intention of joining a man she met a few months before. She finds herself alone in the apartment of the guy, who left town because he was scared stiff at the idea of seeing her. Originally commissioned as one third of an omnibus feature showcasing the Figaro, a Japan-only retro throwback car.
6.7In a small Southern town in the autumn of 1941, Sophie’s lonely life is transformed when an Asian man arrives under mysterious circumstances. Their love affair becomes the lightning rod for long-buried conflicts that erupt in bigotry and violence with the outbreak of World War ll.
6.1When 50-year-old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in.
6.2After Margaret, a divorcée living in Dublin, loses her teenage son, she develops an unorthodox relationship with Joe, a homeless youth. Their tentative trust is threatened by his involvement with a violent gang and the escalation of her ex-husband's grieving rage.
6.1A Bedouin village in Northern Israel. When Jalila's husband marries a second woman, Jalila and her daughter's world is shattered, and the women are torn between their commitment to the patriarchal rules and being true to themselves.
5.4In 1983 Owl, North Dakota, the lives of three residents – elderly Horace, who spends his afternoons reminiscing in the local coffee shop; teenage Mitch, depressed backup quarterback star player-power-horse; and newly appointed high school English teacher Julia – along with those of the town's other residents, are upended by a historic whiteout blizzard.
Landscape architect Victoria Crayshaw wants to fulfill her late mother's last wish: to build a Japanese garden on her parents' property. She wants to gather inspiration for this in Japan and searches the internet for a travel companion. She quickly finds what she is looking for in math teacher and hobby gardener Carl Webber. But when he arrives in Bodmin, he behaves differently than expected. What Victoria doesn't know is that Carl Webber is actually financial advisor Jon Stebbing, who has stolen Carl's identity while on the run from the authorities to escape his ex-lover's plan for revenge.
Roy decides karate is the answer to his bully problem, but his Dad can see that what his son needs right now is a champion Boxer.
The ill-fated clash between the Philippine National Police-Special Action Force (PNP-SAF) police commandos and Moro rebels.
0.0Set in the flooded ruins of a dystopian East London, POLLY II: PLAN FOR A REVOLUTION IN DOCKLANDS draws on references to soap opera, science fiction, satire and Brechtian ‘Lehrstueck’. It alludes to Polly, 1728, John Gay’s censored sequel to the popular Beggar’s Opera, 1727, which resurrected the character of the robber Macheath in the disguise of the African pirate captain Morano, scheming to take revenge on a colony in the West Indies, and is populated by many of the characters made popular by Gay and Brecht. The film features the naïve and incorruptible Polly, the vengeful whore Jenny Diver, and the treacherous and greedy Peachum – fencer, thief-taker and king of the beggars – and portrays them surviving in a lawless zone, set to be redeveloped into luxury waterside living, as a comment on the social struggles against gentrification and privatisation.
0.0Following Marta's wake, her five best friends decide to spend the night at a rural tourist getaway that Marta never got around to opening. The night becomes a long, mazelike journey through their interconnecting friendships, ultimately leading to deep self-revelations about life, themselves and a friendship that survived it all. But will this friendship be able to survive death?
Masterfully filmed, atmospheric moment. The period of mourning comes to an end at a temple-like funeral chapel. The final visitors are not mourners, but want to buy off their guilt. The mother wants to see a real confession. And money. The intense emotionality the death of a child evokes is, as it were, sculpted in space while the tension between the mother and the visitors is captured more subliminally by a roving camera.