One Does Not Die That Way(1946)
In the studio where the famous director Eric Von Berg reigns, Pierre Vanier, the male star of the film and the lover of Berg's muse, dies while rehearsing a scene. Over the course of a tangled investigation, the culprit is unmasked. This honest dresser is the adoptive mother of Vanier's wife, too unhappy with such a husband. The inspector, moved, concludes a suicide.
Movie: One Does Not Die That Way
Top 10 Billed Cast
Eric von Berg
Marianne
Lynn Laurens
Commissioner Martin
Assistant
Doctor Jacques Forestier
The extra
Marcel Henri Bourjus, prop master
Suzanne Bouvier
HomePage
Overview
In the studio where the famous director Eric Von Berg reigns, Pierre Vanier, the male star of the film and the lover of Berg's muse, dies while rehearsing a scene. Over the course of a tangled investigation, the culprit is unmasked. This honest dresser is the adoptive mother of Vanier's wife, too unhappy with such a husband. The inspector, moved, concludes a suicide.
Release Date
1946-07-03
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
FrançaisKeywords
Similar Movies
Nine(en)
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
Everything's Gonna Be Alright(it)
Bruno Salvati is a director of little success, fresh from the separation from his wife Anna with whom he had two children, the twenty-year-old Adele and the seventeen-year-old Tito. Following a sudden illness, Bruno is diagnosed with a disease that requires the intervention of a donor. All his family relationships are called into question, including that with his father Umberto, the custodian of a secret that will force Bruno to embark on a journey in search of someone who can help him.
The Contract(en)
Sleazy director "auditioning" actresses for a movie and trying to get them to commit to more to get the part.
Alex in Wonderland(en)
Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, Alex seemingly has his choice of what his next project will be. As he makes the rounds both in the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of those everyday situations he is in.
White Hunter, Black Heart(en)
Renowned filmmaker John Wilson travels to Africa to direct a new movie, but constantly leaves to hunt elephants and other game, to the dismay of his cast and crew. He eventually becomes obsessed with hunting down and killing one specific elephant.
Valentino(en)
Italian immigrant Rudolph Valentino makes it big in silent Hollywood, but he ends up struggling between his career and the woman he loves.
Ulysses' Gaze(el)
An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.
Color Me True(ja)
Kenji is a young aspiring movie director. He falls in love with Princess Miyuki, who came from a black‐and‐white movie.
Last Minute(en)
An aspiring director wants to submit his own short film to his school's media festival. With less than a month left to participate, he has yet to begin production on the film. His procrastination leads him to decide between making the project he's most excited for, or coming up with something else for the meantime.
Sunwoo and Ikjune(ko)
Currently, Sunwoo and Ikjune are lovers and co-directors of a movie. The film starts with a landscape shot at dawn. Ikjune is smoking a cigarette from the veranda of his house, looking at the village across the street. In the bedroom, Sunwoo is lying on Ikjune's bed with her eyes open. Next to them are the same movie scenarios. You can predict what they are thinking by looking at their faces. Production is half-way and the two are having a long conversation about what to shoot today as they are headed to the set. At the set, they are talking with the actors and giving acting directions. In the process, Sunwoo and Ikjune experience various feelings about love, either individually or together.
Tristesse(es)
Film director Juan Bravo is in a deep, existential funk: his latest film has been vilified by critics, and his friends, relatives and even business associates are wasting no time in badmouthing him. He seeks refuge in the city of Oviedo, Asturias, wandering the empty streets at night, going to parties that are veritable circuses full of wannabes, and attending concerts and religious and traditional ceremonies as he seeks inspiration for his next film. He reminisces about his childhood but, most importantly, that strange woman who asked him to visit her at her apartment at precisely 10 p.m., not one minute more, nor one minute less.
The Last of Sheila(en)
A year after Sheila is killed in a hit-and-run, her multimillionaire husband invites a group of friends to spend a week on his yacht playing a scavenger hunt-style mystery game—but the game turns out to be all too real and all too deadly.
Matinee(en)
A showman introduces a small coastal town to a unique movie experience and capitalizes on the Cuban Missile crisis hysteria with a kitschy horror extravaganza combining film effects, stage props and actors in rubber suits in this salute to the B-movie.
Hommage(ko)
A struggling filmmaker finds unexpected solidarity and validation when she takes on the job of restoring a classic 1960s film directed by the first known female South Korean director.
Gods and Monsters(en)
It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.
Bad Education(es)
When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school.
Day for Night(fr)
A committed filmmaker struggles to complete his latest project while coping with a myriad of crises, personal and professional, among the cast and crew.
A Man and a Woman: 20 Years Later(fr)
Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.