1918-08-01
0
The optical company Bausch & Lomb of Rochester, New York, contracted Watson and Webber to create this corporate industrial film to showcase the company’s extensive catalog of lenses and other optical instruments, displaying their practical applications in industry and everyday life. The Eyes of Science easily straddles the fields of avant-garde and industrial filmmaking, making both a fascinating object of form and style, as well as a highly educational, entertaining, and informative piece of film and industrial history.
"Damaged Goods" pictures the terrible consequences of vice and the physical ruin that follows the abuse of moral law. It is a stirring plea for a pure life before marriage, in order to make impossible the transmission of hereditary traits to future generations. This film is presumed lost.
Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.
Only Episode 7, "The Hooded Helper," of this 20-Episode Serial is known to survive. All other episodes are believed to be lost.
Carl Behrend, son of a wealthy businessman, marries Pauli Arndt, daughter of a pacifist professor. When World War I breaks out, Carl is drafted. Pauli and her family and friends are left behind to experience the suffering which befell civilians during the war. Her luck worsens when her father is dismissed from his professorship for teaching that war is evil. Her father argues violently with Carl's father, and degradation and despair descend on Pauli and her family as they await Carl's return from the front.
An adaptation of the novel by Leo Tolstoy. Anna Karenina is having an extramarital affair that causes her grave consequences.
The surviving 14 minutes of the original documentary about the Villas Boas expedition to the Amazonian tribes in Brazil.
Eddie Haskins, a wisecracking young man, teams up with two ham-acrobats known as 'Bugs & Sunny', and ,when they are all kicked out of a vaudeville theater in California, they enlist in the U. S. Cavalry. Eddie falls in love with Dorothy Clark, the daughter of a sergeant and, following a moonlight tryst, they are discovered by Sergeant Hank Darby who himself is in love with Dorothy. They have a fist-fight in which Eddie comes out second best. When Darby is reprimanded for fighting with an enlisted man, the troopers incorrectly think that Eddie squealed on him, and they punish him with a conspiracy of silence. Dorothy also rejects him. Eddie has a problem. Maybe a fire will break out in the stables and he can rescue Sergeant Darby.
Historically significant as Universal's first 100% all-talkie, the production suffered from having a tight shooting schedule. Carl Laemmle was only able to rent the Fox Movietone sound-on-film recording system for one week, having to be filmed at night while the Fox Studio was closed down for the evenings.
A press sheet printed in Exhibitors Herald and Moving Picture World in 1928 put forth the suggestion that “people in the need of a good hearty laugh should take this opportunity of getting it” by seeing a newly released comedy by Warner Bros., suggestively entitled Beware of Married Men. Since director Archie Mayo (The Petrified Forest) helmed this feature during the dying days of the silent era, the studio sought to enhance its commercial viability by embellishing the shot-silent picture with a synchronized music and effects soundtrack using the Vitaphone sound-on-disc system. Ultimately, these efforts went for naught, as the picture failed at the box office and quickly disappeared from theaters.
Diantha Ebberly travels with her parents to the edge of the Sahara to meet her longtime betrothed, Herbert Medford, whom she has never seen. She is rescued from a swarm of beggars by an "Arab," then meets him again when she slips out at night in native dress. They fall in love, but Diantha is abducted by Sheik Amud, then returned safely home by the "Arab." The next morning Diantha discovers her fiancé and lover to be one and the same.
A six-part adaptation of William J. Locke's novel "Where Love Is."
Mary Miles Minter is Sylvia, the niece of a man who leaves her a fortune. The money is in the hands of his lawyer, Baxter, who uses it to support his ambitious wife and daughter. Sylvia comes to Baxter's home and it's obvious she's not wanted there. Arnold, Baxter's son, is wasting his life away with drinking and nightclubbing, but Sylvia sweetly influences him to straighten up.
A fortune teller helps a woman gain the affections her beloved, with deathly consequences.
A dead officer's German wife betrays 'Hampshire's' secret route.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
A Hollywood biographical film about a survivor's experience of the Armenian Genocide. Arshaluys (Aurora) Mardiganian plays herself in the film which is based on her published memoirs. It is thought to be the first film about made about genocide. All known complete copies of the film have been lost. A restored and edited 24-minute segment of the historic motion picture was released in 2009 by the Armenian Genocide Resource Center of Northern California. It is based on a rare surviving reel of film edited in Soviet Armenia.
A man is increasingly unnerved by a mysterious portrait. Based on a story by Nikolai Gogol, the film is thought to have run about 45 minutes long, but only an 8 minute fragment is known to have survived.