San Vittore(2019)

Let All Children Smile(ro)

The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.

A, B, C... Z(sq)

Children get ready to start the first grade. They start learning the first letters.

TUNAHAKI(en)

Tunahaki is the extraordinary story of nine gifted orphans who are acrobats. We follow their journey as an American volunteer takes them from Africa to study with Cirque du Soleil in Las Vegas. They end up touring the States and raising hundreds of thousands of dollars, more than enough to build a permanent home. But how have the kids' experiences in America affected them? And how will it change things back home in Tanzania? Tunahaki's heartfelt journey gives us something new to ponder as we reach across the world to help those less fortunate—is it always the right thing to do?

Aconteceu, virou Manchete! A História da Rede Manchete(pt)

First Day of School(fa)

A documentary about an Iranian boy's first day of school. The beginning of hardships and understanding the realities of life, and perhaps unwanted pain and suffering.

The Falcons(hy)

The Falcons is an intimate, observational documentary that delves into the world of the Tshakhruk Ethnoband, a remarkable musical ensemble in the Armenian highlands. Comprised of special-needs children that reside at the state orphanage, these young musicians find solace, strength, and self-expression through the transformative power of music.

Born Schizophrenic: Jani & Bodhi's Journey(en)

Jani, now 11, is showing improvement in keeping her hallucinations at bay. But the same cannot be said for Bodhi, now 6. His dangerous outbursts have landed him in the hospital; leaving the doctors and family with a puzzling diagnosis.

The children trapped in Bangladesh's brothel village(en)

Daulatdia is an entire village in Bangladesh dedicated to prostitution. Every day, 1,600 trafficked, enslaved and abandoned women and girls sell themselves for £2 a time. In the midst of the trade live 300 children, many born in the village. Some will be groomed to be the future of the business like their mothers and grandmothers. With education programmes and support provided by Save The Children, a few may find their way out.

Hitchin. Honouring the Brave(xx)

Victims of a tragic air crash are honoured in a sombre military funeral procession through the streets of Hitchin.

My Transgender Kid(en)

Two British families discuss the challenges they face raising children who identify as a gender different from the one they were assigned at birth.

Odyssey(en)

Six California kids test their brains and talents against students in Odyssey of the Mind, a problem-solving competition requiring mechanical, creative and intellectual skills. With little money and zero adult participation, the teens build a robot to tell a story about bullying, exclusion and mental health. But how does their solution measure up?

Chris and Bernie(en)

The story of two young single mothers who join forces to make a new kind of family unit for themselves and their children.

Young Kids, Hard Time(en)

Young Kids Hard Time explores the story of young children sentenced to adult prison for decades, through the eyes of 12-year old Paul Gingerich and 15-year old Colt Lundy, both serving 30 years in adult prison for killing Colt's stepdad.

My Name Is Susan Yee(en)

Young Chinese-Canadian Susan Yee gives a tour of Montreal.

Seven Up!(en)

A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.

What's the Film About?(en)

During a camping weekend, Indian filmmaker Poorva Bhat tries to find the right way to discuss consent with her two children. In the intimacy of the tent, the three find the safe space needed to explore together the innocence or otherwise of looks and gestures, both in everyday life and in the cinema.

To the Sea(es)

Before leaving for Rome with his mother, five year old Natan is taken by his father, Jorge, on an epic journey to the pristine Chinchorro reef off the coast of Mexico. As they fish, swim, and sail the turquoise waters of the open sea, Natan discovers the beauty of his Mayan heritage and learns to live in harmony with life above and below the surface, as the bond between father and son grows stronger before their inevitable farewell.

Folon(fr)

One of the 20th century Belgian artists who was the most idolized, exhibited, published, sold... Yet the artist himself, Jean-Michel Folon (1934-2005), whose work became controversial because deemed insipid, with its mannerisms, pastel tones and colors, remains little-known. Through previously unseen archive footage, Gaëtan de Saint-Rémy offers him a voice.

Separated(en)

Academy Award®-winning filmmaker Errol Morris confronts one of the darkest chapters in recent American history: family separations. Based on NBC News Political and National Correspondent Jacob Soboroff’s book, Separated: Inside an American Tragedy, Morris merges bombshell interviews with government officials and artful narrative vignettes tracing one migrant family’s plight. Together they show that the cruelty at the heart of this policy was its very purpose. Against this backdrop, audiences can begin to absorb the U.S. government’s role in developing and implementing policies that have kept over 1300 children without confirmed reunifications years later, according to the Department of Homeland Security.

Ginevra - take my hand(it)

In 2022, I met Beatrice Baldacci. I was going through a period of pain and great change. I saw others perceiving her existence so differently than I did. At this point, I began to ask myself many questions about the origins of my sadness. Seeing her work, "Superheroes Without Superpowers," struck me. I delved deeper with "The Den" and from there, I reached the point of no return. That evening in early July three years ago, I realized that the emotion I felt, and that I wanted to protect at all costs, was my own sadness. A sadness I kept finding in others and that had consumed me, to the point of making me lose who I was. I denied Ginevra's existence for years. I wanted only Axel to assert himself. I didn't make this short film to seek answers, but to put together the pieces of my life.