Stephanie
Mia
Girl in Red Sweater
Mr. Hearst
Realtor
Mrs. Sloan
Hospital Administrator (voice)
The Mix is a dark comedy about Sal, the happy and hapless owner of a home grown cookie company. With his business riding a financial plateau and his loyal girlfriend Christine pushing for career and relationship growth, Sal and his business manager Tim place their hopes in the hands of the enigmatic Joshua Vandersteem. After the deal goes bad, Sal is forced into desperate action. Leaping narratively through time, The Mix tells the story about what happens when a good man makes one bad decision after another.
The serenity of another quiet evening is shattered for an amateur photographer when a desperate woman takes refuge in his humble suburban home. Reluctantly, he is pulled into a cat and mouse game with her pursuers. Only dawn will reveal the blood-soaked fallout of being alone in the middle of suburbia.
Leather-Queen George will be there, bragging about his rubber bed sheets. So will The Lavender Guru, a loquacious flower child incessantly babbling hippie-speak. Bobby, who's "new to this whole thing", will be having a panic attack and Bike-Boy Fernando will be showing off his new Prince Albert. Yet despite Peter and Buddy's relationship disintegrating right before our eyes, the party will be a smashing success - especially their inevitable end-of-the-romance tussle on the floor. Described by many as a low-budget version of "The Boys In The Band".
A young offender on the mend, 19-year-old Cole Hurley agrees to attend a university devoted to prisoner reform. But hope for a turnaround is endangered by his impulsive affair with the seductive Kay Weller, a professor desperate to escape her abusive husband - and Cole is her only way out. But when Kay's husband is found murdered, Cole's education comes with a new lesson: trust no one.
Jerry, with the help of a mouse friend, is lowered on a fishing line, abuses the sleeping Tom in various ways, and is yanked away before Tom sees him. First, he hits Tom with a fireplace shovel and plants it in Tom's hand; next, he puts a gun in Tom's hand and pulls the trigger; he puts a noose around Tom's neck; positions a ketchup-covered knife (complete with ketchup "wound"); and finally puts Tom into an archery bow. Tom finally gets his revenge,
Steven, a pupil in a special-needs class, learns that his school has won a trip to Alcabideche, Portugal. He is overjoyed to get the chance to finally see his homeland. Once there, he decides to conduct his own holidays...
Some Analog Lines is a playfully philosophical, surprisingly personal essay film that examines the dichotomy between digital technology and the artistic process of filmmaking. It is about animation, computers, clay, celluloid; a paper mask; a wooden shelf. More importantly, it is about what we respond to when we watch a film, and why.
Maria, a provincial Polish girl, travels to Milan to pay her older sister Eva a surprise visit. The sisters haven't seen each other in seven years and Eva has changed a lot. She lives in a luxurious apartment and dresses in designer clothes. Although she pretends to be an interpreter, Eva is actually a call-girl and, one night, fails to return from an appointment. Maria enquires at the hotel where Eva last worked. Eva's body is soon found. The investigation is conducted by Inspector Messina, a trendy cop. Maria and Messina become an inseparable investigating team. Maria poses as a call-girl in order to reveal her sister's killer and they use mobile phones to keep in touch.
A group of "friends" and "misfits", who had formed a popular yet short-lived youth theatre group, reunite for the first time after seven years on an eventful Durga Pujo night at their old rehearsal space, a bungalow which is about to be converted into Kolkata's first five-star heritage hotel by the Ganges.
In this sweeping love story, Peter and Jinbesan's marriage crashes and burns amidst shocking revelations disclosed during their marriage counseling.
A tiny witch tries to milk an immense cow. Things get out of her control.
Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.