When Steve Earle stepped onto the Austin City Limits stage on November 12, 2000, it had been 14 years since his first appearance in 1986. In between it must've seemed like he had lived several lifetimes. In fact, in the years since, he released five albums, including his latest at the time of this recording, Transcendental Blues. Of the record, Rolling Stone wrote, "These songs weave threads that bind Ireland and the American South, rockabilly and the Beatles, folk music and muscular rock and roll."
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.
Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.
A Kuwaiti comedy play starring Dawood Hussain & Intesar Al Sharrah.
Insane Fight Club is back. This year the boys are taking their unique form of entertainment to England as they stage fight nights in Birmingham, Leeds, Liverpool and Newcastle.
Posing as hunters, a group of terrorists are in search of $100 million that was stolen and lost in a plane crash en route from Afghanistan.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Morning, Noon & Night explores a day-in-the-life of six people battling different addictions.Thecharactersfeelalltoo familiar asthey could be your neighbor, your family or even yourself. Thefilmfunctionsas a mirror asit examines some students,a history teacher, a lawyer, and a topexecutiveasthey struggle to make it through a single day.
Parched, ragged, and dragging a heavy iron chain, a lone Gambler hobbles eastward through the endless desert. Barely a day behind him, a blood-thirsty Marshal in a priest's collar is exterminating everything in her path, hellbent on catching her prey. When the Gambler inadvertently rescues a young boy from a town gone mad, the boy sticks to him like glue as they escape together before the Marshal arrives to burn the town to the ground. But when the Marshal finally confronts the Gambler, he must make a terrible choice if he hopes to escape with his life.
Solo from 'La sylphide' (1836), ballet by August Bournonville. Performed by Ellen Price (1878-1968), soloist from 1903. Ellen Price's dancing in Hans Beck's ballet 'The Little Mermaid' (1909) was the inspiration for Edvard Eriksen's statue of the same name (1911). (Stumfilm.DK)
Daniela and Fouad live in Gubbio, and they both come from the sea: she is from Bari, he is from Casablanca. Their bodies have suffered hardships and alcoholism. They met by chance and a deep and healing friendship was born, which led them to live together. Now that Fouad needs a permit to stay, marriage seems to be the easiest solution. Daniela agrees to it, but as the wedding approaches, the ambiguity of Fouad’s feelings begins to worry her. Can you fake- marry someone who really loves you?
Mexican band Cafe Tacuba celebrates 15 years of making--and often revolutionizing--Spanish rock with Un Viaje. This lush, luxurious live set includes three discs of music and one electrifying DVD. The group has culled the best moments from a two-night stand in Oct. 2004 at the Palacio de los Deportes in Mexico City, and the results are consistently electric. Every song, every rhythm, every guitar lick, every laugh is important, a not-to-be-missed moment. Cafe Tacuba's potent mix of music and message is a powerful thing, and the group thrives in its unflinchingly earnest, sweetly sincere approach to its art. Even during backstage interviews and recording studio hijinks, each member seems wholly pleased to be a part of the process. Throughout the proceedings, Cafe Tacuba's ardent fans thank them with hoots, hollers and constant singalongs to almost every song, making Un Viaje a joyous trip for everyone involved.