"From the 1969 exhibition, Bride in the Bath is shown in its sculptural form – a life cast of a model's body lying back in a bath and draped in black silk coated in resin. The footage is cut with film I shot of a model lying back in a bath in which black, then white ink is poured. The final images are shot in color from the position of looking down on oneself in the bath and reflected back in a mirror. All are part of my exploration of the female body in water, the body in the bath." - Penny Slinger

"From the 1969 exhibition, Bride in the Bath is shown in its sculptural form – a life cast of a model's body lying back in a bath and draped in black silk coated in resin. The footage is cut with film I shot of a model lying back in a bath in which black, then white ink is poured. The final images are shot in color from the position of looking down on oneself in the bath and reflected back in a mirror. All are part of my exploration of the female body in water, the body in the bath." - Penny Slinger
1969-07-11
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10.0Say Om as you reach home only to realize you never really left/stopped saying Om.
10.0Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
0.0In the dining room of the abandoned house a white, faded entity feeds on her pieces. Memories keep her here and time transforms her into something new.
0.0A tragic story of a musician taking a bold voyage in the pursuit of creation, ambition, and need. Letting life choose for him, as part of the art itself and coming to terms with his decisions.
0.0Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
7.0The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.
0.0Based on D.H. Lawrence's "Lady Chatterley's Lover" and one of the pioneering films of the Iranian New Wave
6.4A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
0.0A found footage experiment made using an excerpt from the film Taranula! (1955)
7.8A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
5.9An assassin fends off numerous attacks from her comrades, who are trying to move up in rank by killing off the competition.
0.0An abstract work featuring three dancers, the performers interact with large screens as well as each other. Included in Shirley Clarke’s Four Journeys Into Mystic Time, costuming and color play an integral role in this piece.
0.0After encountering Lensface at the 2019 Unnamed Footage Festival, Filmmaker Travis Z. (Cabin Fever 2016, The Midnight Man) became obsessed with the voyeuristic cryptic, and spiraled into madness, leaving only this bizarre collection of surreal and horrific footage.
6.1Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.
5.0Glen Denny observed: "This film is not ocean, it is panther stalking jungle." Camera flows because it is free to move through space.
5.0Fluidity of stone. Subatomic motion asserting a surface. Mind loop wandering. Visitation of sound matrix. Liquid solid. Nature transforms a planetary cycle. Relations of a timeless void.