At work on his Elegies and Windows series, Motherwell examines his place in the Abstract Expressionist movement, which he calls the first original American movement in the "mainstream," and its practitioners "the last romantics." He distinguishes between his large paintings and his intimate papier collée. Motherwell recollects the state of American art in the 1940s and the impact of European emigré painters on the younger generation of emerging artists. He discusses the significance of collage, or papier collée, as an artist's medium and explains how he first became involved with this process. Motherwell offers his interpretations of earlier directions in art and his response to the object oriented painting that emerged in America in the 1960s. A unique document of one of the founding members of the New York School. He died in 1991.
Self
At work on his Elegies and Windows series, Motherwell examines his place in the Abstract Expressionist movement, which he calls the first original American movement in the "mainstream," and its practitioners "the last romantics." He distinguishes between his large paintings and his intimate papier collée. Motherwell recollects the state of American art in the 1940s and the impact of European emigré painters on the younger generation of emerging artists. He discusses the significance of collage, or papier collée, as an artist's medium and explains how he first became involved with this process. Motherwell offers his interpretations of earlier directions in art and his response to the object oriented painting that emerged in America in the 1960s. A unique document of one of the founding members of the New York School. He died in 1991.
1972-01-01
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Laura Cumming takes a journey through more than 500 years of self-portraits and finds out how the greatest names in western art transformed themselves into their own masterpieces.
Based on the life of Dr. Harish Gershom and about the journey of his achievement Harishophone. He is the only Indian who can play three octaves in the smallest saw (26.3 inches). He is recognized for his unique achievement including Limca Book Records 2003, State Award 2005, Guinness World Record 2015, British World Records 2021, IMAS Award 2011. Get along the journey of Dr Haris Gershom whose invention of the 'Harishophone' made wonders around the globe for its therapeutic impact. He is known to be the only individual in the world capable of producing three octaves on a saw that have a healing effect.
A documentary about Gian Lorenzo Bernini, creator of the Baroque sculptural style. It shows more than 60 masterpieces exhibited in Villa Borghese, Rome. These prestigious masterpieces are explained and analyzed in detail.
In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.
In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.
A documentary about one of the most popular cultural venues in the world and one of the most visited monuments in France—the Centre Pompidou
This short film provides a glimpse at famous art galleries of Rome, Florence, and the Vatican.
Documentary about the artists Sigrid Hjertén and Isaac Grünewald.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
Tribute to Leopoldo Méndez, a prominent Mexican artist, considered the most important printmaker in Contemporary Mexico
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
Unlike any art movie you've ever seen, Making it in Manhattan is informed 'entertainment' about the people who make contemporary art. Artists, collectors, and dealers bring to life the art capital of the world, New York, as it plunges into the 21st Century. Presenting a cross-section of artists, the film discusses inspiration, aesthetics, and the meaning of success. With Louise Bourgeois, Brice Marden, Chuck Close, Neil Jenney, Elizabeth Murray, Ashley Bickerton, Gary Simmons, Ursula von Rydingsvard, Rirkrit Tiravanija, St. Clair Cemin, Ivan Karp, Jay Gorney, Matthew Marks, Jerry Saltz, Herb & Dorothy Vogel, and others. From abstraction to figuration, from installation to conceptual art, from the privacy of the doctor's office to the posh gallery opening, Making it in Manhattan captures the reality of a special world. Music by Tom Waits, Don Braden Ryuichi Sakamoto, George van Eps, Piero Umiliani with Chet Baker.
Travelling around the country, Art City: Simplicity takes viewers on a revealing trip into the studios and lives of a group of singular artists. On a desert mesa outside Santa Fe, Richard Tuttle invents his mysterious and marvellously humble forms, made of wire, cardboard, wood. In Taos, Agnes Martin rhythmically repeats extremely simplified images. Near the Santa Monica surf, John Baldessari, aims for successful juxtapositions of photographs and text. In his North Hollywood living room, Robert Williams revels in surreal cartoon imagery. At a cabin in Woodstock, Joan Snyder refines her sensuous art amid a lush forest. Mike Bidlo salutes Duchamp in a SoHo Gallery, while on Sunset Boulevard, Amy Adler reclaims personal history through self-portraits. Through this group of memorable iconoclasts, the creative "act" is there to see and study.
Nothing destined this child born in Marseille in 1921, and from a modest background, to become an avant-garde artist. At 12 years old, the one who is still called César Baldaccini works to help his father, but also studies drawing. In 1943, he moved to Paris and enrolled in the Beaux-Arts. He chose sculpture, an expensive art for this penniless student. From the 1950s, he shaped fine animals from metal debris collected in factories. This alloy between his Mediterranean imagination and these industrial materials earned him the attention of Picasso. But in 1960, this instinct, now in vogue, brought about a radical change. Fascinated by hydraulic presses, he presented three compressed cars at the Salon de Mai. The artist stands aside in front of the machine, and the morbid aesthetic of the breakage radiates the sculpture. Outcry!
The short documentary ‘Complexos‘ features intimate and emotional views on how residents of favelas in Rio de Janeiro use media and arts to raise their voices and act for justice, dignity and respect. ‘Complexos’ is part of a collaborative process between the Finland-based Anti-Racism Media activism Alliance (ARMA Alliance) and the favela-based audiovisual collective Cafuné na Laje.
Alison Watt became the National Gallery's Seventh Associate Artist in 2006. This art film records her two-year residency, as she created paintings inspired by masterpieces in the National Gallery. She already had a lifelong attachment to paintings in the collection, yet the prolonged contact, particularly with Saint Francis in Meditation by Francisco de Zurbarán, led her to notice new details and unexpected nuances which influenced her own art. Through a series of interviews with Watt, this art film documents the formation of this exhibition, with particular emphasis on the creative process.
When Anna, a twenty-eight-year-old photographer, is put in charge of a report on the restoration works at The Ostend Museum of Modern Art, she discovers by chance five paintings signed Constant Permeke, whose power and mystery move and fascinate her.She decides to embark on a quest to find out about who Permeke actually was, the places where he lived, how he worked, what experiences he went through.