Like Wildfire(1917)

A Fool and His Money(en)

A Fool and His Money part of the Leather Pushers film series. May be actually titled A Fool and Honey

Whipsawed(en)

On the steamer going over to London the "Kid" falls in love with a senator's daughter and his manager is too sick to keep him in any training. After a week or two of training the "Kid" enters the ring only to find that his rival is one of his sparring partners. Knowing all the "Kid's" punches the opponent scores many points during the combat but suffers a punch in the jaw which loosens a tooth. The "Kid" waits for the moment when the terrible fighter must turn his head to spit out the tooth before he gives him the final knock-out punch.

The Prosecutor's Wife(ru)

A criminal psychological drama. This film is presumed to be lost.

My Own Pal(en)

My Own Pal takes Tom Mix out of his customary western surroundings and plunks him in the middle of New York City.

The Devil's Daughter(en)

"My heart is ice, my passion consuming fire. Let men beware," exclaimed Theda Bara (via an inter-title, of course) in this "Vamp" melodrama based on Grabriele D'Annunzio's 1898 story La Gioconda.

Lady Audley's Secret(en)

Florid melodrama of misunderstandings, betrayal and desperation as Theda schemes to keep the title secret.

The Two Orphans(en)

This picture is based on the same story that became D.W. Griffith's Orphans of the Storm in 1921. This version, made by the Fox Studios, stars famous "vamp" actress Theda Bara in the role that Lillian Gish later made famous

The Clemenceau Case(en)

This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).

Gold and the Woman(en)

The daughter of a Mexican aristocrat endures the travails of the Mexican revolution.

La belle Russe(en)

In this film, her next-to-last picture for Fox, it was Theda Bara's turn to tackle a double role. Bara's characters are twin sisters La Belle Russe, the wicked one, and Fleurette, the nice one. They're Parisian dancers, and Fleurette marries Philip Sackton (Warburton Gamble). However, Sackton is a member of Britain's snooty aristocracy, and his family disinherits him.

Revenge of an Actress(zh)

Her Double Life(en)

Mary Doone (Theda Bara) is a poor British girl who runs away from her adopted family because the father made a pass at her. She lives at a parish house, and at the outbreak of World War I, she becomes a Red Cross nurse.

Sally in Our Alley(en)

Sally, a girl of the tenements, is being raised by three bachelor foster-fathers, a pawnbroker, an organ-grinder and a peddler, and is very happy preparing their meals and keeping the house, while the old men bask in the attention she gives them. However, this happy home is broken up when Sally wealthy aunt appears on the scene and takes Sally back to her luxurious penthouse in order to give her the advantages of money and social position. But Sally's heart is back across the river with her plumber sweetheart, Jimmie Adams.

The Golem(de)

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

Ruy Blas(en)

The Harvester(en)

In a small town in Indiana in the 1890s, the domineering and ambitious Mrs. Biddle arranges a marriage between her spoiled daughter Thelma and the town's prize catch, harvester David Langston, who is wedded to the soil. David is friends with orphan Ruth Jameson and, although she is in love with him, he eventually gives in to the machinations of Mrs. Biddle and consents to marry Thelma. Meanwhile, technological advances come to town, including its first gasoline buggy, galvanic battery, and metal bathtub fitted with running water. When Mrs. Biddle tries to convince David to give up the farming life and join her husband in real estate, Mr. Biddle, hen-pecked and dissatisfied with city life, warns David against selling his farm.

Kliou the Tiger(en)

Bhat, a member of the Moi tribe in Indo-China, loves Dhi, but her father Khan does not believe Bhat is worthy of his daughter, as he lacks hunting and warrior prowess. The tiger, Kliou, has been attacking Moi villages, taking people and livestock. During a hunt, Khan is severely mauled by the claws of Kliou. Witch doctors claim that Khan can only be saved by Kliou experiencing a similar bloodletting.

Vita Napoletana(it)

A variety film consisting of 13 solo songs and two musical sketches, one comedic, the other serious, all in the Italian language but made entirely in the USA by members of the Italian-American community in New York. Missed by the American Film Institute and IMDb, information was found in the New York State Archives' files from that state's old censors' office.

Without a Trace(es)

The true incident of the German U-Boat which torpedoed an Argentine ship to make Argentina declare war on the Allies. The film was not as successful as Cristiani's previous film, The Apostle from 1917, since Without a Trace was confiscated by the Ministry of Foreign Affairs by order of President Hipólito Yrigoyen and purportedly destroyed. It is unknown if any copies of the film exist, and it is currently considered a lost film.

Peludo City(es)

The story of Argentine President Hipolito Yrigoyen's corrupt government and its overthrow by a military coup. Yrigoyen floats around in his boat Peludo City (which represented Argentina) while constantly being harassed by hungry sharks (the Radicals). The film was released with a Vitaphone sound-on-disc synchronization system soundtrack, making the film generally credited as the first animated feature film with sound. It is now considered a lost film, along with several of Cristiani's films which were destroyed in fires in 1957 and 1961.