Takeover(1980)
About Aborigines and Australian politics. On 13 March 1978 the Queensland Government announced its intention to take over management of the Aurukun Aboriginal Reserve from the Uniting Church. The people of Aurukun complained bitterly, believing that the Church was more sympathetic to their aims and fearing that the State was merely seeking easier access to the rich bauxite deposits on their Reserve. When the Federal Government took the side of the Aborigines the stage was set for national confrontation. Shows the situation at Aurukun during those crucial three weeks.
Movie: Takeover
Top 3 Billed Cast
HomePage
Overview
About Aborigines and Australian politics. On 13 March 1978 the Queensland Government announced its intention to take over management of the Aurukun Aboriginal Reserve from the Uniting Church. The people of Aurukun complained bitterly, believing that the Church was more sympathetic to their aims and fearing that the State was merely seeking easier access to the rich bauxite deposits on their Reserve. When the Federal Government took the side of the Aborigines the stage was set for national confrontation. Shows the situation at Aurukun during those crucial three weeks.
Release Date
1980-01-01
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
EnglishKeywords
Similar Movies
A Tent on Mars(fr)
Three decades after the shuttering of the mining town of Schefferville, the Innu people, who moved in after the non-natives abandoned the town, are facing a new challenge: the iron mines are about to be reopened. Land, identity and legitimacy are central to the dialogue between peoples locked in parallel struggles, the Québécois and the First Nations.
Visita, Presidente(pt)
The 580 days that president-elect Lula, from Workers Party, spent in prison are the subject of the documentary "Visita, Presidente". The feature brings together unpublished stories of figures who were beside him in prison.
Kainai(en)
On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.
Two Laws(en)
White people don't understand that there are two laws - white people have different laws from Aboriginal people. TWO LAWS is a film about history, law and life in the community of Borroloola in far North Queensland. The films offers viewers a remarkable and different way of seeing and hearing. Like the film, BACKROADS, it is one of the few productions at that time in which Aboriginal people had creative input. The impetus for TWO LAWS came from the community themselves. There was substantial collaboration with the film makers before and during the shooting period. It is one of the most outstanding films to be made during the 1980s. It is an historical analysis of what, nearly forty years later, is an increasingly contemporary question. Two Laws.
Blockade(en)
"Blockade" takes place in the mountains and valleys of northern British Columbia, at the heart of the boldest aboriginal land claims case to challenge the white history of Canada. The Gitksan and Wet'suwet'en hereditary chiefs claim that everything within 22,000 square miles, including the trees, is rightfully theirs.
Fast Horse(en)
The Blackfoot bareback horse-racing tradition returns in the astonishingly dangerous Indian Relay. Siksika horseman Allison Red Crow struggles with secondhand horses and a new jockey on his way to challenging the best riders in the Blackfoot Confederacy.
Double M Country(en)
Carrie Davis was part of the child removal system near the end of the Sixties Scoop. With guidance from her uncle Emmett Sack and the community, Carrie reconnects to their land, language, and culture.
K'i Tah Amongst the Birch(en)
Filmmaker/activist Melaw Nakehk’o has spent the pandemic with her family at a remote land camp in the Northwest Territories, “getting wood, listening to the wind, staying warm and dry, and watching the sun move across the sky.” In documenting camp life—activities like making fish leather and scraping moose hide—she anchors the COVID experience in a specific time and place.
Fantome Island(en)
In 1945, at the age of seven, a young Joe Eggmolesse was diagnosed with Leprosy. He was immediately removed from his family and home and transported under police escort over a thousand kilometres to be confined on an island for the treatment of the disease. For the next ten years, a leprosarium for Aboriginal people became his home. A lush tropical idyll off the north east coast of Australia, Fantome Island was the home to a close knit community of indigenous 'lepers' who made the most of their existence as people living on the fringes of the marginalised. Now as a 73 year old Joe reflects on his indelible Fantome years. His incredible, poignant story offers a profound insight into one of Australia's hidden histories.
Looky Looky Here Comes Cooky(en)
A new songline for 21st century Australia - a fresh look at the Cook legend from a First Nations' perspective - the songline tells of connection to country, resistance and survival and features the cheeky, acerbic and heartfelt showman - Steven Oliver and a host of outstanding, political Indigenous singer/songwriters.
Incident at Restigouche(fr)
Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.
The Lake of Scars(en)
In a corner of regional Victoria exists a place of astounding natural beauty, archaeological significance and age-old culture. But the Indigenous scarred trees and artefacts found here are at risk. With the blessing of the local Dja Dja Wurrung People, white horticulturist Paul Haw has made it his mission to care for Lake Boort and its surrounds.
For All People, For All Time(en)
Mark and Dan Jury document the gradual demise of a community nestled within the Cuyahoga National Recreation Area between Akron and Cleveland, Ohio, as the National Park Service works to acquire the land of ~500 residents in order to establish a National Park. After initially being told only a handful of houses would be taken, residents are shocked by hundreds of homes and businesses being bought up, boarded up, and posted No Trespassing - and by the homes of the politically connected being spared. Significant portions of this film appeared in the PBS FRONTLINE episode For the Good of All.
The Demise of ETA(es)
The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.
Foster Child(en)
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.
Trick or Treaty?(en)
Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.
The Beast of Brushy Creek(en)
This doc investigates the odd occurrences that have happened for decades at a creek in Texas, which was an Ancient Native American burial ground.