Movie: Saga

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  • Overview

    "While film always seems to aim for humanism and anthropomorphism, I endeavoured in my film to represent only a language with three­ dimensional letters." Saga is an extension of the plurality of the means of experimentation used by Jean-François Bory to capture the dynamic inside the text, directly related to the spatialisation of letters theorised by Pierre Garnier. lts corresponding object­ book masterfully resumes the cinematographic dimension in the progression of the writing and uses a visual narration.

  • Release Date

    1968-01-01

  • Average

    10

  • Rating:

    5.0 starts
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  • Languages:

    No Language

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