What Remains - An Obituary on Wilhelmine and Bernard(2019)
The director’s grandparents Wilhelmine, an Austrian Catholic, and Bernard, a Jewish Czechoslovakian communist, have always been part of her life, although she never met them in person. Her uncle Hermann lives in what was once their house, with their furniture, Marx and Lenin busts, Hanukkah lamp, countless photos, letters and oil paintings. Through the film Judith Schein asks whether it is possible for a house and its interiors to narrate History.
Movie: What Remains - An Obituary on Wilhelmine and Bernard
Was bleibt - ein Nachruf auf Wilhelmine und Bernard
HomePage
Overview
The director’s grandparents Wilhelmine, an Austrian Catholic, and Bernard, a Jewish Czechoslovakian communist, have always been part of her life, although she never met them in person. Her uncle Hermann lives in what was once their house, with their furniture, Marx and Lenin busts, Hanukkah lamp, countless photos, letters and oil paintings. Through the film Judith Schein asks whether it is possible for a house and its interiors to narrate History.
Release Date
2019-04-28
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
DeutschKeywords
Similar Movies

Imprint in Clay(en)
“Sardar Gurcharan Singh was the father of studio pottery in India. "Daddyji" as most called him lovingly was very close to my father. I often tagged along to visit his home studio where pottery wheels were lined up under the big neem trees in his old brick house. My father wanted me to make a film on Daddyji, who was then 95. He was afraid that Daddyji's wonderful story would be left untold. He not only introduced studio pottery in India but due to his longevity, mentored many potters. So despite not knowing anything about films, I made the documentary, Imprint in Clay with a classmate of mine, which was mostly funded by my father.”

Girl in the Hallway(en)
A story from childhood and an indelible image continue to haunt Jamie many years later.

Vera Klement: Blunt Edge(en)
As her 80th birthday is approaching, Vera Klement, an oil painter in Chicago, adamantly starts yet another new figure painting: a portrait of an artist under oppression, an homage to Russian composer, Dmitri Shostakovitch.

The Presence(hu)
Two old men enter an abandoned synagogue, look at the decay around them, and pray.
The Presence III(hu)
Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.

Post Traumatic: An American Nightmare(en)
This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.

Night and Fog(fr)
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

I Love You, East Garrison (A Video Essay by Haley Hoult)(en)
Haley Hoult, a student of Est Harrison High, creates a sarcastic video essay about his school.

The Story of Doctor Carver(en)
The story of Dr. George Washington Carver (1864-1943), black educator and horticulturist. He is perhaps most well known for developing over 140 products from all parts of the peanut plant, including the shells and husks. He also developed products based on sweet potatoes and soybeans, and developed a cotton hybrid that was named after him.

Asante Market Women(en)
As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.

PRESENCE(en)
Presence narrates the journey of Thati, a woman determined to overcome her anxiety attacks through surfing. She finds refuge in the waves, where the surfboard becomes her ally and personal therapy.

Larisa(ru)
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
R. F. Outcault Making a Sketch of Buster and Tige(en)
Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.

Brasilia, Contradictions of a New City(pt)
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
Baobab Play(en)
Children and teenagers throw sticks, berries, and leaves at each other from perches in a large baobab tree.

Mild Madness, Lasting Lunacy(fr)
This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.

Violons d'Ingres(fr)
Shows hobbies of people who do an ordinary job in the day. Made for New York Fair.

Far from the Trees(es)
An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

¡Al fútbol!(es)
Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.