Lacan Palestine is a found footage essay about the troubled couple in Palestine. This country without a country has been party to imperial projections for centuries, amply on display here in waves of armed crusaders, legionnaires, Mongols on horseback and biplanes issuing state edicts from the end of a machine gun. There are maps by the galore, drawn and redrawn as occupied territories are bartered in foreign capitals. Contemporary art activists Velcrow Ripper, Elle Flanders, Tamira Sawatzky, Dani Leventhal and others have generously donated their keen lookings and these have been blended with newsreels, desert spectaculars, historical recreations and intimate encounters. Mike Cartmell appears as the ghost of psychoanalysis, offering ruminations on killing the father, John Coltrane and why enjoyment is difficult
Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.
Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.
The bizarre story of Elliot "White Lightning" Scott, who plans on becoming Canada's first action hero with his low-budget karate epic, Blood Fight. This surreal documentary captures two years in the lives of a passionate amateur filmmaker, his supportive partner Linda Lum, and their cast and crew of outrageous dreamers - all striving to achieve success.
An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.
The Forbidden Files, films of Jean-Teddy Filippe, flirt with fantasy featuring pictures and voiceovers to create the illusion of a documentary about the strange events from around the world.
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
A documentary about aliens and UFOs with re-enactments of alien interviews and video of a supposedly real video of an alien being interviewed by government officials.
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
Recently discovered footage reveals the secret history of NASA's first landing on the moon, and using this brand-new evidence, former astronauts and experts challenge everything known about the Apollo missions.
In 2045, a filmmaker lands on Mars and tries to make a film. “Home… Far away from home”, he recalls faces of people, thus a collection of moving images emerge.
Twenty-three years after her brother mysteriously disappeared, a documentary filmmaker sets out to solve his missing person's case. But when a disturbing piece of evidence is revealed, she comes to believe that her brother might still be alive.
I have captured something unbelievable. Are you brave enough to see real ghosts? 1. The smell of incense sticks in a room 2. Curtains and whiteboards swaying in an empty room 3.vibrating and flashing lighting fixtures 4. wall clock blows 5. don! Don! and the sound or voice that hits the wall violently 6. a mirror that spouts water 7. Human voices and bells that shouldn't be there 8. A ball suddenly thrown from the ceiling 9. white human hand floating in the mirror 10. and finally! A white hand appeared in front of us from a place no human can enter! ! *No CG or editing has been added to the ghost images in this movie.
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.
Chelsea Bledsoe and her husband Graig throw a surprise intervention for her old high school boyfriend, Henry, with a mismatched group of acquaintances from back in the day to fill out the guest list.
Risa is known to have supernatural abilities that enable her to communicate with supernatural beings. This film will present horror events packaged like Paranormal Activity.
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.