Liminality & Communitas(2018)

Big Sharks Rule(en)

It’s an ocean of giants. South Africa has a dramatic, rocky coast that’s raked by churning currents. Warm, cold, rich and murky water collide to create "shark central", with enough food to sustain the biggest. Giant sharks like great whites, tiger sharks, bull sharks, ragged tooth sharks, and whale sharks all reign supreme in these waters.

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

Third Shift Coming Home(en)

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

Éloge du chiac(fr)

Taking the form of a conversation between a young teacher at a French school in Moncton and her students, the film shows how hard it is for francophones to preserve their language in a society where English is everywhere and has been for centuries.

La Cocotte d'azur(fr)

A short film made with the film end rolls of 'Du côté de la côte'.

Seven Times a Day We Bemoan Our Lot and at Night We Get Up to Avoid Our Dreams(de)

A cinematic devotional book. Based on interviews with an unemployable sufferer (and his fellows), living in the East German countryside. Who lost his memory in 1989 and woke up into several nightmares.

Good Grief(en)

Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.

Inuk Woman City Blues(kl)

Follows homeless, addicted and alienated Greenlandic women in Copenhagen, Denmark; includes fragments of Greenlandic culture.

Rolling Stones – Hearts for Prague(cs)

Beeldverhalen(nl)

Short documentary that showcases the creation of a 'Suske en Wiske' comic book from the first drawing to the kids reading it.

Hacımirza diaries fahrettin(tr)

The Colour of His Hair(en)

Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.

St. Joseph Fort: Principality of Pontinha(en)

St. Joseph Fort: Principality of Pontinha, the diamond that illuminates the Atlantic Pearl.

Poached(en)

Big ambitions clash in tiny kitchens, all in the name of Singapore’s beloved hawker dish — chicken rice. Apple presents a documentary about hawker pride and conviction, set against the backdrop of the famous Maxwell Food Centre.

El Lugar de los Peces(es)

Mrs Birks' Sunday Roast(ja)

A Japanese food writer embarks on her quest to cook the perfect Sunday roast. Her gravy evokes a taste of home both gently Japanese and quintessentially English. Blending her passion for British food with the memories that accompany each dish, it is a labor of love with all the trimmings.

Hi, How Are You Daniel Johnston?(en)

Daniel Johnston stars in this psychedelic short film about an aging musician coming to terms with the dreams of yesteryear.

Wild in the City(en)

This short documentary films some of the wild animal species that have adapted to the city of Vancouver, from the familiar pigeons and starlings to the less familiar herons nesting in Stanley Park and a coyote in a farmer's field.

At Your Fingertips: Cylinders(en)

Instructive short on using cylinders to construct all manner of fun objects.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.