Dirty Woman[1989]

Six: Inside(en)

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Area of Conflict(en)

Human traffickers wipe out a young girl's family and village. She then seeks revenge on those responsible, eventually becoming first the hunted then turning into the hunters with the mercenary hired to eliminate her.

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo(fr)

The Peasants(az)

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Krummel - Flo de liegende vlieg(nl)

El Asesino del Zodiaco(es)

Le Bossu(fr)

Mutiny! The Last Birthday Party(en)

When director Heiner Mühlenbrock showed up with his cameras to document the tense April 1983 recording sessions for the final Birthday Party EP, Mutiny!, the group was well beyond the verge of dissolution and barely on speaking terms. Mutiny! was cut at Hansa Ton studios in Berlin.

The United Monster Talent Agency(en)

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Mother's Field(ky)

In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.

Uli Hoeneß - Der Patriarch(de)

Arbuckle & Keaton, Volume One(en)

A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: THE BELL BOY (1918), THE BUTCHER BOY (1917), OUT WEST (1918), MOONSHINE (1918), and THE HAYSEED (1919). Volume One of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.

Karel Zeman for Children(cs)

Seventy-year-old filmmaker Karel Zeman recapitulated his thirty years of work in the field of animated and trick films. The film Karel Zeman for Children includes excerpts from Baron Prášil, The Tale of Hansel and Gretel, Mr. Prokouk, King Lávra and Journey to the Prehistoric Times. The film is presented on the 100th anniversary of the birth of this important figure of Czech cinema.

Más allá de lo común(es)

Pili, a 51-year-old widow, unexpectedly leaves her home when, on her way, she is interrupted by the presence of an alien. After trying to tell her children about the extraterrestrial encounter and being ignored by them, she must investigate how to deal with this being. Meanwhile, she grapples with new desires to abandon the traditional life she has always known. In the end, she will have to confront and accept her deepest fears in order to fight this alien.

anyone lived in a pretty [how] town(en)

A visual interpretation of the poem by E.E. Cummings about the life cycle of a townspeople and of one ignored couple.

Desert Seas(en)

Sir David Attenborough unveils the two stunning underwater realms of Saudi Arabia - the flamboyant Red Sea and the contrasting hot muddy Gulf, capturing for the first time the rare event of Palolo worms spawning at night.

Option Zero(es)

There are countless stories of Cubans reaching their dream destination of Florida as boat refugees. A lesser known route to the United States starts with a flight in a ramshackle plane to Guyana. Then the refugees travel to Colombia where they cross the jungle to arrive in Central America, from where they hope to reach the promised land of America—a hard and dangerous journey. Cuban filmmaker Marcel Beltrán visits them in a refugee camp in Panama, where one of the residents gives him an idea. Many people here have filmed their journey, she says, and these videos tell their real story. These jerky, shocking videos are interspersed with Beltrán’s footage of the camp, tangibly illustrating the difference between the hectic pace of the journey and the insecure life at the reception center.