100% anal! These spicy Brazilian gals have hot round asses and they sure know how to use them!
Since the ban on use of animals in circus shows, the Great Sumatra Circus faces a major financial crisis. Baron, who owns the circus, accepts unseemly proposals from the mayor to hold cattle auctions, rallies and other alternative events at the circus. Unhappy with the news, circus artists come together to plan a new show and re-attract the audience, led by Didi, Dedé and Karina.
Telmo is a retired theater director that realizes he doesn't remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he'd rather forget.
As he does every single day, Elon goes to meet his wife at her workplace, but she is not there. He doesn’t find her at home as well, so he starts to retrace the path Madalena makes daily. In the morning after, Elon goes to the police station and files a report, runs into hospitals, morgues. Alone, he wanders through a metropolis, searching for news about the sudden and mysterious disappearance of his wife.
Waving the flag that states every film is political, Vincent Carelli visibilizes in this documentary the cause of the Guarani-Kaiowá: a group of indigenous people that fear their lands, located in the Mato Grosso do Sul, will be confiscated by the State. A territorial conflict born more than one hundred years ago, during the Paraguay war. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With some rigorous investigative work, the Brazilian director tells with his own voice of the social and political injustices suffered by the Guarani people through material he filmed over the course of more than forty years. The archive images, both color and black and white, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the guts with which they confront the usurpers.
Dione is a mysterious young man living with a family in a rural and remote place in the southern Brazilian plains. The quietness of the region is disturbed when a rich landowner tries to buy the small property where Dione and the family live.
The film tells the story of an intuitive, adventurous man who loved his country and being Brazilian. This man fought to be loyal to himself. His music is a transparent portrait of his genius, intuition, freedom, adventure and passion for Brazil.
Hebe Camargo is one of the most emblematic entertainments in Brazil. At her 60s, she went on to control her own career and, despite the criticism, the dreadful husband and the powerful and sexist bosses, she revealed herself to the public as an extraordinary woman, capable of overcoming any personal or professional crisis.
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.
After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live and they know it. This shall not prevent the emergence of a great romance in the clinic.
Panair do Brasil revives the story of the most important commercial aviation company in Brazil, between 1930 and 1965, with its commercial daring in establishing routes to the four corners of a continental country, taking the adventure of air transport to never-before imagined places, as well as the first international routes. Four decades after it closed its doors, it still retains a marked presence in the country's collective imagination for its pioneering spirit and stories of heroic deeds and for the bewilderment which was aroused by the facts surrounding its closure during the military regime.
Romulus and Remus, two shepherds and loyal brothers, end up taking part to a journey that will lead one of them to be the founder of the greatest nation ever seen. However, the fate of the chosen one will pass from killing his own brother.
Enterprising youths live many adventures when they decide to start a business specializing in making video clips for rock groups.
Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.
Olaf is to take care of the family's cleaner's store, while his dad is away on a fair. In the evening he runs into three Brazilian ladies thrown out of a limousine not knowing where to go. Olaf invites them to stay with him and his deaf pot-smoking grandfather, which at first just causes some confusion as he soon is to marry his girlfriend Vera. The next day it's topsy-turvy all over.
All the lives of Cora Coralina in a poetic narrative in the voices, feelings and interpretations of six generations of great Brazilian actresses. A polyphony of the voices that inhabited Cora, revealed in prose, verse and images with its immense literary talent and human content. The film reveals the trajectory of Cora Coralina, from her childhood years to getting married and leaving Goiás, from the long period of 45 years lived in different cities in the state of São Paulo and her return to the City of Goiás, when she revealed herself to Brazil with the strength of his poetry.
A biography of the Portuguese-Brazilian singer Carmen Miranda, whose most distinctive feature was her tutti-frutti hat. From her arrival in the US as the "Brazilian Bombshell" to her Broadway career and Hollywood stardom in the 1940s.
In the middle of Praça da Sé, in São Paulo, Paloma - a dove like any other - swallows a chip and gains awareness. But what was supposed to be a blessing ends up revealing something terrible: she, like all doves, always ate scraps. Given this, Paloma goes after justice for the doves and, next to Pru, find out more about who she has become and her place among legs, rats and other inhabitants of the city.
When desire clouds judgment, Aurora, a hairdresser in Sao Paulo's red-light district, discovers that love is only skin deep.