
The countess (50) and Anja (22) are sitting with their guests Sergej (35), Boris (50) and Ivan (25) in an elegantly furnished drawing room in a semi-dilapidated house. It is dinnertime. The countess concludes how the house they are sitting in is very familiar to her, and Anja reaches the same conclusion. Soon the countess realises that Anja is her daughter and that the house is theirs. It all becomes weird when the countess pays attention to the guests, food and drink. She cannot comprehend why they are all these and why she made this expensive dinner when she has recently spent all her money. Anja and the countess feel something terrible will happen tomorrow. To make matters worse, musicians come to her home…


Boris
Pijanistkinja
Saksofonista
Violončelistkinja
Pevač

The countess (50) and Anja (22) are sitting with their guests Sergej (35), Boris (50) and Ivan (25) in an elegantly furnished drawing room in a semi-dilapidated house. It is dinnertime. The countess concludes how the house they are sitting in is very familiar to her, and Anja reaches the same conclusion. Soon the countess realises that Anja is her daughter and that the house is theirs. It all becomes weird when the countess pays attention to the guests, food and drink. She cannot comprehend why they are all these and why she made this expensive dinner when she has recently spent all her money. Anja and the countess feel something terrible will happen tomorrow. To make matters worse, musicians come to her home…
2018-01-01
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6.3Clara and her two sons escape from her abusive husband with little more than their car and plan to start over in New York. After the car towed away, the family meets Alice, who gets them into an emergency shelter. While stealing food at a Russian restaurant called ‘Winter Palace’, Clara meets Marc, who has been given the chance to help the old eatery regain its former glory. The ‘Winter Palace’ soon becomes a place of unexpected encounters between people who are all undergoing some sort of crisis and whom fate has now brought together.
7.3Middle-aged widow Beatrice Hunsdorfer and her daughters Ruth and Matilda are struggling to survive in a society they barely understand. Beatrice dreams of opening an elegant tea room but does not have the wherewithal to achieve her lofty goal. Epileptic Ruth is a rebellious adolescent, while shy but highly intelligent and idealistic Matilda seeks solace in her pets and school projects, including one designed to show how small amounts of radium affect marigolds.
7.3As Islamic morality squads stage arbitrary raids in Tehran and as fundamentalists seize hold of the universities, Azar Nafisi, an inspired teacher, secretly gathers six of her most committed female students to read forbidden western classics. Unaccustomed to being asked to speak their minds, they soon removed their veils, their stories intertwining with the novels they read: just like the heroines of Nabokov, F. Scott Fitzgerald, Henry James or Jane Austen, the women in Nafisi’s living room dare to dream, hope and love as we experience the complexity of the lives of individuals facing political, moral and personal siege.
5.9A psychotic man opens fire in a diner, murdering numerous people before killing himself. The survivors struggle in different ways following this horrendous event: a doctor doubts his own instincts and elects to use an experimental medical procedure on his wife, while a gambler believes he's on a lucky streak. A waitress begins engaging in promiscuous sex, and a young girl whose father is among the dead gains unexpected fame.
7.4Michael is a 24-year-old who has cerebral palsy and long-term resident of the Carrigmore Residential Home for the Disabled, run by the formidable Eileen. His life is transformed when the maverick Rory O'Shea moves in.
6.9Drama telling the story of Blue, a young man of Jamaican descent living in Brixton in 1980, as he hangs out with his friends, fronts a dub sound system, loses his job, struggles with family problems and has his friendships tested by racism.
6.7Struggling to provide her daughters with a safe, happy home, Sandra decides to build one - from scratch. Using all her ingenuity to make her ambitious dream a reality, Sandra draws together a community to lend a helping hand to build her house and ultimately recover her own sense of self.
7.1In New York City, a young girl is caught in the middle of her parents' bitter custody battle.
6.994-year-old Eleanor Morgenstein tries to rebuild her life after the death of her best friend. As a result, she moves back to New York City after living in Florida for decades.
6.2While serving life in prison, a young man looks back at the people, the circumstances and the system that set him on the path toward his crime.
6.1Rory is an ambitious entrepreneur who brings his American wife and kids to his native country, England, to explore new business opportunities. After abandoning the sanctuary of their safe American suburban surroundings, the family is plunged into the despair of an archaic '80s Britain and their unaffordable new life in an English manor house threatens to destroy the family.
5.9A reporter, fired after refusing to give names to a 1951 House Un-American Activities Committee, takes a part-time job as companion to an old lady. While working she overhears a noisy argument in the neighboring house, being conducted largely in German and involving her HUAC prosecutor. She begins to investigate, enlisting the help of the FBI Agent initially detailed to surveil her.
6.9A daughter seeks to restore the reputation of her disgraced father, a wronged college professor. With help of a professional student, she must overcome an ambitious sorority bitch and corrupt college dean.
6.6A nightmarish evening unfolds for neighbors David and Robert when they accidentally hit a woman on her bike and flee the scene. While David is increasingly plagued by feelings of guilt, Robert shows no remorse and becomes overbearing and possessive.
6.6An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.
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5.8A man struggles with the tragic memories of his past to make sense of his present, but soon realizes that time isn't the enemy he thinks it is.
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