Sound Shapes(1972)

Almost Anything(en)

Centrist revelations abound among repetitions & revisitings.

No Impersonator , Perpetrator(en)

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Automatic Writing(en)

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

Rhythm(ja)

A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.

Shirking; Shrieking Specter(en)

Still it's really tall. Still it's really floundering/falling/fading.

And there was evening and there was morning. The first day(en)

With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.

Questioning, Requesting(en)

Strings together what's strung together (please use yr tether).

Gondora(ja)

A short movie about a guy living in his own world.

Carta a Boris(es)

Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. Now that he is no longer here, I can be honest.

Domingo no Paint(pt)

New Life(en)

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

Leonora Carrington or The Ironic Spell(es)

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.

Always Aching & Bending Back(en)

Slowed, stowed, achingly retold.

2bhk(hi)

2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.

Letter in Motion to Gilles Jacob and Thierry Fremaux(fr)

Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.

Above the Lake(xx)

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

Moving Memories(pt)

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.

Bradlee(en)

The surreal, experimental story of an unseen serial killer.

The Architects(en)

Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)