Suicide Mission(1998)

The Terminal Trust(ja)

Shinzo Egi is an asthma sufferer who does not want to be place on life support. As a last request, Shinzo Egi asks his doctor Ayano Orii if she could follow his wish. Doctor Ayano Orii is then questioned in a criminal case because of her decision.

Lord(en)

In a post-apocalyptic world the brutal lord of a renegade group travels through a desert inhabited by mutant nomad tribes and monstrous beasts. Lord's driver is looked down on by the rest of the group, but he might be more skilled than he leads on.

Six Weeks to Twelve Years(en)

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

RETURN(en)

‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.

Return(en)

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

Florence Fight Club(ru)

Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.

Piccadilly Zero Hour 12(de)

The Disappearance of Eleanor Rigby: Her(en)

Told from the woman's perspective, the story of a couple trying to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone.

1-2-3(es)

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Insane Fight Club(en)

A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?

Film(it)

The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.

Return(en)

A young woman was buried alive with the intention of killing, but she survived by chance. hears the cries of her little girl and fights to stay alive for her daughter. But this incident will enlighten a new worldview for her.

ΤΑΙΝΙΑ(el)

Thanasis, a rising movie star is excited about the new movie he is starring in. This movie is called FILM. The excessive ambitions and artistic vision of the director that will lead Thanasis to madness. He himself is determined to discover the secret of filming and ultimately the secret of life. In a film shooting nothing is as it seems.

Darling(te)

Prabha prepares to meet Nandini, his childhood friend, at a reunion party organised by his father. However, things take a turn when Nisha, a gangster's daughter, falls in love with him.

Keith Emerson Band - Moscow Tarkus(en)

On Moscow, the Keith Emerson Band includes ace session guitarist, vocalist, and composer Marc Bonilla (who's toured before with Toy Matinee), bassist Travis Davis, and drummer Tony Pia, who, while currently a member of the Doobie Brothers, has also played with Edgar Winter and Brain Setzer. The program features numerous Emerson, Lake & Palmer nuggets (including a 35-plus-minute "Tarkus"), some brief Emerson originals (film cues from his soundtrack work), a pair of Bonilla pieces, and two co-writes between Bonilla and Emerson. Filmed August, 2008, at Central House of Cinema, Russia.

Hannibal: A March on Rome(de)

Even today it is considered one of the greatest military feats ever. In 218 BC, a Carthaginian army of ninety thousand men and three dozen elephants set out to cross the Alps to challenge the might of Rome. The exact route chosen by Hannibal, its charismatic commander, has been a matter of dispute ever since. Now, researchers believe they might be able to track his route. It is one of the mysteries of history, which way the Carthaginian commander Hannibal took in 218 BC to cross the Alps.

FILM(fr)

A man tries to make a film but gets sick.

Fight Club (Russian version)(ru)

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Return(es)

The Who - Live at the London Coliseum 1969(en)

Concert of the Who's first filming of the Rock Opera «Tommy» at London's opera house, the Coliseum, 14 December 1969. At this point, the Who were in full stride, playing behind Tommy and making waves where ever they went. This performance, as rough and raw as it seems, is the Who at their all-time nastiest. Opening with the powerful «Heaven And Hell», the group slays each number — «I Can’t Explain», «Fortune Teller», «Tattoo» — before ascending the mountain of conceptual copiousness.