
Live at Capital Centre, Largo, Maryland (October 15, 1975) Get it Like You Used To Be, Station Man, Spare Me a Little of Your Love, Rhiannon, Why, I’m So Afraid, Oh Well, Green Manalishi, World Turning, Blue Letter, Hypnotized

Live at Capital Centre, Largo, Maryland (October 15, 1975) Get it Like You Used To Be, Station Man, Spare Me a Little of Your Love, Rhiannon, Why, I’m So Afraid, Oh Well, Green Manalishi, World Turning, Blue Letter, Hypnotized
1975-10-15
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7.8Christine McVie is undoubtedly the longest-serving female band member of any of the enduring rock ‘n’ roll acts that emerged from the 1960s. While she has never fronted Fleetwood Mac, preferring to align herself with ‘the boys’ in the rhythm section whom she first joined 50 years ago, Christine is their most successful singer-songwriter. Her hits include ‘Over My Head’, ‘Don’t Stop’ and ‘Everywhere’. After massive global success in both the late 1970s and mid-1980s, Christine left the band in the late 1990s, quitting California and living in semi-retirement in Kent, only to rejoin the band in 2013. In this 90-minute film, this most English of singers finally gets to take centre-stage and tell both her story and the saga of Fleetwood Mac from her point of view.
7.5This rare Fleetwood Mac documentary provides an intimate look at the original band as led by Peter Green, during the 1960s British blues boom.
6.8Fleetwood Mac are one of the biggest-selling bands of all time and still on the road. Their story, told in their own words, is an epic tale of love and confrontation, of success and loss. Few bands have undergone such radical musical and personal change. The band evolved from the 60s British blues boom to perfect a US West Coast sound that saw them sell 40 million copies of the album Rumours. However, behind the scenes relationships were turbulent. The band went through multiple line-ups with six different lead guitarists. While working on Rumours, the two couples at the heart of the band separated, yet this heartache inspired the perfect pop record.
0.0Sutton Foster takes over City Center—filling it with her indomitable spirit for a concert with her friends that celebrates their connections to the historic theater and reflects on the challenges facing all of us. Bring Me to Light reunites Foster with fellow Encores! cast members Raúl Esparza and Joaquina Kalukango, City Center alum Kelli O’Hara, and Wren Rivera—Foster’s student at Ball University. Together, they enliven City Center with the hope of what lies ahead through performances of music theater favorites from Anyone Can Whistle, Camelot, Oklahoma!, South Pacific, Violet, The Wild Party, and more. Accompanied by Music Director Michael Rafter (piano) and Matt Hinkley (guitar), Bring Me to Light is directed by Leigh Silverman, with Jeanine Tesori serving as Creative Producer.
10.0Compilation of John Denver's most notable song performances.
9.0Live In Rio is the third DVD by Mexican pop group RBD. The show was recorded on October 8, 2006 before an audience of 50,000 people at the Maracanã Stadium in Rio de Janeiro, Brazil on the group's "Tour Brasil 2006".
8.3Filmed and recorded at the legendary Hammersmith Apollo in London, Slash Featuring Myles Kennedy and the Conspirators - Living the Dream Tour captures the band incendiary performance in front of a rabid sold out audience. For over two hours they roar through a set featuring the tracks from all four of Slash's solo albums.
0.0Live at the U.S. Festival, ’82 and ’83, a DVD featuring both years’ concerts in their entirety, compiling the best performances from each year. It stands as a fine tribute to a legendary ’80s/ska band and the only representation of their fantastic live show.
0.0Bobby Sweet is a country music legend and has been the world-renowned face of "Sweet Meats" since establishing his first restaurant with his wife in 1978. How did this restaurant take off so quickly and what makes the meat so darn sweet? Sometimes a "secret ingredient" should stay that way. They always say, "you'd be disgusted if you knew what you were really eating!" They might be right!
7.0The telefilm weaves a story between Noor played by Noor Khan and Waleed played by Asim Azhar. Whilst belonging to two different worlds, the pair is shown to have a very similar nature. Both of them have step-parents and dwell in a state of inferiority, waiting for something extraordinary to happen in their life. As Waleed is trying tooth and nail to excel in his musical career, Noor vies to be a doctor and struggles against the injustice of her stepmother.
7.0The story of "Sunset Paris" tells that Leslie Cheung, who plays Leslie, and Maggie Cheung, who plays Maggie, are a couple. Leslie gets an opportunity to study at the University of Paris, so he leaves Hong Kong to go abroad to pursue his ideals, but has to separate from his girlfriend Maggie for a short time. While living in Paris, Leslie meets a painter, Cherie, played by Cherie Chung, and develops a relationship with her. Things get complicated when Maggie comes to Paris on a visit and realizes that things are not the same...
7.7Anti-Nowhere League: We Are The League tells the full uncensored story of how a biker, a skinhead, a grammar school boy and a Persian exile came together, with no musical talent or ambitions and even less respect for anything or anyone, to burst onto the UK charts with their debut single. Even when judged by the often confrontational standards of U.K. punk, the Anti-Nowhere League were a band committed to offending people. Looking less like a group of bohemian rebels than an especially unsavory biker gang eager to stomp someone, the Anti-Nowhere League made an immediate impact when they burst onto the British rock scene in 1980. They were heroes to hard-boiled U.K. punks, and to nearly everyone else they were an affront to all decency - which, of course, made the punks love them all the more.
0.015-year-old Ahmet, from a remote Yuruk village in North Macedonia, finds refuge in music while navigating his father’s expectations, a conservative community, and his first experience with love — a girl already promised to someone else.