During a quiet evening at home a couple test a prototype biohacking technology, but what begins as playful experimentation turns sinister as neither are aware of the dangers it poses.
During a quiet evening at home a couple test a prototype biohacking technology, but what begins as playful experimentation turns sinister as neither are aware of the dangers it poses.
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A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.
Little Monsters presents some of the animal kingdom’s strangest survival strategies: poison dart frogs, chameleons, praying mantises and scorpions, to name but a few. Thanks to 3D visualization, large audiences can experience a chameleon thrusting out its tongue at close range, rattlesnakes striking at their targets to within fractions of an inch, praying mantises hunting and hummingbirds feeding, filmed from inside the flower! And with its ingenious combination of slow-motion 3D and timelapse 3D, “Little Monsters” even improves upon state of the art 3D for greater impact, yielding unbelievable scenes the world has never seen and “felt” before.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Two Senegalese men walk through a forest in Morocco at night. As they try to find a passageway to the north, they talk about a strange dream. Two officers from the Spanish Civil Guard patrol the Spanish coast in an SUV. The car's headlights probe the darkness in search of illegal immigrants. In Paris, a young woman performs a symbolic burial in a forest on the edge of the city.
One night, Reine, a young loner, sees among the urban chaos a moving oneness that seems alive, like some sort of guide.
They set off, looking for work in far-off places, but disappeared along the way. Inspired by Shiv Kumar Batalvi’s “birha” poetry, the film traces the longing on both sides: on the part of those who are missing, and those that wait for them to return.
After a bad day at work, a fairground performer sets out to disprove the theory of heredity so that he can marry his sister.
Cody is a recovering opiate addict in rural Ohio, 45 days clean and enlisted in a strictly enforced drug court programme by the county government. Local sober-living facilities are full, so Cody is living in his car on the outskirts of town and working at the nearby lumber mill to save money and keep busy. But his past doesn't want to forget him.
Benny Rubin promotes a wrestling show but ends up wrestling Constantine "Strangler" Romanoff himself.
1935 Los Angeles, community leader Sei Fujii uncovers the corrupt activities of his community's underground mafia. He must choose between saving the face of his deteriorating community and confronting the issues head on through his newspaper. Based on a true story.
In this adventure of imagination, young Tess, a shy girl of 13, discovers a new meaning for love on Valentine’s Day. Through a very special book, she meets the third century martyr Valentine and his Christian friends. They show her what it means to love others as Jesus loves us, and to receive that love in return. Jonathan Farwell and Kaleena Kiff star in this fresh and inspiring story of the origin of Valentine’s Day.
Ramón Aguirre is an old actor from the time of the Mexican Golden Cinema, whose years of fame are completely over. Locked away in his apartment in Tacubaya, afflicted by his unfortunate physical condition, as well as by the resounding change suffered in his city, Ramón only has two hobbies left, writing his memories and regrets in a small diary, mainly that of having lost the love of his life, Silvia, and spy through a small crack on his neighbor, Pedro, who is a writer who suffers from artistic block and constant phone fights with his fiancée, and with whom Ramón has developed a peculiar bond, despite of never having exchanged any word.
Johanie, the single mother of a dysfunctional family, takes a dim view of the arrival of Ian and his dog in the neighborhood. Like a trench dividing the two camps, the back alley becomes the witness of a rivalry where prejudice, fascination and frustration mingle slyly with the sound of barking.
Today is a big day, it's Pepper's estranged son's birthday. He disowned her 20 years ago for becoming a drag queen. A chance meeting with Charlie, an eight-year-old boy, reminds her the importance of family and doing the right thing.
Marcel the shell gives an outline of his life.