Resurrection(1987)

Behind the door(pt)

An experience of breaking into buildings and creating new homes for homeless families in Rio de Janeiro in opposition to a series of forced evictions by the State. These evictions initiate a major intervention project in the city intensified since 2007. In the documentary, the project called “revitalization” is questioned by the residents of various occupations.

S.S. 'Coptic' in the Harbor(en)

A ship in a harbor.

Vintergatan(sv)

Caravana(pt)

Call of Cuteness(en)

While we watch the ‘cat fail’ of the day in cheerful safety, all that remains invisible in this neoliberal nightmare catches up with us. The cat’s body is consumed, exploited and controlled. The fear of pain is greater than the will for freedom. Objects are fetishized and subjects are made into things – quantifiable and ready for use. They are the natural commodity for a luxury they are not even aware of. We are here, because you were there – and waste is disposed of in the sea. In the end, the bodies reveal the causes and effects of power, lust and hate.

Low: You May Need a Murderer(en)

In almost fifteen years, Low became an institution on the indie and alternative scenes. Famous for their quiet, beautiful slow songs, and fascinating harmonies, as well as their religious background (core members Alan Sparhawk and Mimi Parker are Mormons). For this documentary, a film crew followed Alan and Mimi on tour, at home in Duluth, MN, in their church community, and as parents. It's more than an on-the-road or behind-the-scenes video. It shows Sparhawk as the ambivalent main character in an intriguing movie about religion, violence, conscience, and madness. It can also be seen as a touching love story.

Beyond Our Differences(en)

With all of the problems facing the world today war, poverty, weapons, environmental degradation, starvation, overpopulation and severe desperation among millions people are longing for meaning. Many find answers in religion or spirituality, but as a result faith and religion are often hijacked by those seeking to enhance their own power at the expense of others, often all in the name of God. With this dichotomy in mind, "Beyond Our Differences" calls upon key religious leaders, politicians, and luminaries in their fields to tackle the toughest and most complex issues in the modern age, and it asks what it is that inspires them to affect positive change...

W(en)

A film for three Super-8 projectors by Scott Stark

Wallander: The Container Lorry(sv)

A semi-trailer found dumped and full of dead people leads Kurt Wallander and his team to a convent where the nuns have been assisting illegal refugees into Sweden via Poland.

Here Now(en)

Something pierces the boredom and unconscious dailiness of life for a young woman working in a dress shop.

Interpol - The Paris Ghost Session(fr)

Déjà Vu: Surveillance Window(en)

Divided into 10 segments we hear from cast and crew. We learn about filming the opening ferry explosion, Washington's character and performance, makeup and costumes, the Time Lab and technological issues, the car chase, shooting in New Orleans, the Washington/Bruckheimer/Scott collaboration, physical sequences, and the concluding ferry scene.

In a Fishbowl(el)

After an accident, a young woman finds herself on a remote mansion trying to recover her memory with the help of a mysterious caretaker and a goldfish.

Carnival of Colours(en)

The experimental work consists of several fragments, demonstrating the use of color in film: showing paintings of Soviet art, photography parade on first of May on Red Square in 1934-1935, recording a working amateur and sketch of Soviet Georgia.

Snow White and Rose Red(en)

Snow White and Rose Red give shelter to a bear who reveals himself to be a prince under a spell cast by a wicked dwarf.

Écran Blanc(fr)

Everything Everywhere Again Alive(en)

In the early 1970s, Toronto filmmaker Keith Lock moved to Buck Lake, where members of the Toronto art scene were undertaking an experiment in communal living. Lock filmed the achievements and daily rituals of his fellow communards, his camera bearing witness as a community assembled and dispersed. The resulting film uses poetic strategies, including logograms and other graphic disruptions, to extend its themes of renewal and rebirth, and to mark the encounter between reason and imagination, the concrete and the abstract. A landmark work of Canadian underground cinema, a film diary with mystic and symbolic overtones.

Mimi(fr)

Mimi isn't a star, she's just someone. A close-up of the singularity of a real life. An encounter of someone's particular story, romance, fantasy and territories.

Holly and the Hot Chocolate(en)

A big city food critic finds herself stuck in a small town for Christmas where she discovers a life-changing hot chocolate recipe.