Tom is a secretary for an association which aims to free political prisoners. Skipping from inaction he plans and kills dictator Anton Caras. Arrested he ends up in a jail full of political prisoners for whose freedom he had been working. Eventually he manages to escape but only one would follow him. The others preferred to stay and testify before the court.
Professor
Tom is a secretary for an association which aims to free political prisoners. Skipping from inaction he plans and kills dictator Anton Caras. Arrested he ends up in a jail full of political prisoners for whose freedom he had been working. Eventually he manages to escape but only one would follow him. The others preferred to stay and testify before the court.
1971-10-13
6.3
Phillip Filmore is a naive, 15-year-old, preoccupied with sex, who develops a crush on Nicole Mallow, the new 30-something, French housekeeper and sitter to look after him when Phillip's father is out of town for the summer on a "business" trip. But Mr. Filmore's unscrupulous chauffeur, Lester Lewis, takes advantage of Phillip's crush on Nicole to hire her to seduce the youth, then draws her into a plot to fake her own death in a blackmail scheme aimed to drain Phillip's trust fund.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.
A retired assassin is pulled back into action when his friend uncovers a dangerous conspiracy at the heart of the South African government.
The Corrs live in Geneva as part of their 2004 Borrowed Heaven tour. Set-list: 01. Introduction 02. Humdrum 03. Only When I Sleep 04. Dreams (Fleetwood Mac cover) 05. What Can I Do 06. Forgiven, Not Forgotten 07. Angel 08. Runaway 09. Return From Fingal/Trout In a Bath 10. Borrowed Heaven 11. No Frontiers 12. Queen Of Hollywood 13. Long Night 14. Old Town (Phil Lynott cover). 15. Radio. 16. Summer Sunshine. 17. So Young. 18. I Never Loved You Anyway. 19. Goodbye. Encore 20. Breathless. 21. Toss The Feathers 22. Credits Recorded 26 November 2004 at the SEG Geneva Arena in Geneva.
A brilliant and determined female engineer is approached by a network of powerful women with an offer to help become the head of a CAC 40 firm. The conguest, which was at first thrilling, turns to complete war with the men who still dominate.
Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.