A police officer enters an abandoned house. His body cam records everything.
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
Aboard a small escape pod, four survivors try to discover what caused the destruction of their spaceship.
When her shift uncovers the death of a fellow miner under mysterious circumstances, a hard-working miner of a planet mining colony is forced to choose between escape or defying management orders and fight for the safety of her family.
During the night shift in a colony greenhouse, a botanist does her best to contain suspicious soil samples that have alarmed her sensitive lab dog.
Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.
Patricia Highsmith's haunting story of a day in a young girl's life when a kind stranger comes to town.
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
In the 40's, after the Spanish Civil War, many republicans defeated by the nationalist forces of Franco found refuge on the bordering mountains in the north of Portugal. Some saw them as brigands, others gave them shelter and helped them on the sly to police forces of Salazar. They were... the Outlaws.
The Peanuts gang is nervous about going to a new school, so Lucy starts her own. She soon learns that teaching is tougher than she thought—and that change can be a good thing.
In a class room, a girl is sitting on the desk, solving a math quiz. If she cannot solve it in time, a horrible thing is likely to happen.
The caretaker exhausted by everything, his frustrated wife and one totally depressed deer. Their mutual despair leads them to absurd events, because... shit happens all the time.
When young Victor's pet dog Sparky (who stars in Victor's home-made monster movies) is hit by a car, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked "monster" wreaks havoc and terror in the hearts of Victor's neighbors, he has to convince them (and his parents) that despite his appearance, Sparky's still the good loyal friend he's always been.
Trnka brings to life a surrealist circus of tightrope-walking fish, musical monkeys, balancing bears, and high-flying acrobatics in this whimsical feat of cutout animation made in collaboration with leading Czech painters of the era.
A marching band of Germans, Italians, and Japanese march through the streets of swastika-motif Nutziland, serenading "Der Fuehrer's Face." Donald Duck, not living in the region by choice, struggles to make do with disgusting Nazi food rations and then with his day of toil at a Nazi artillery factory. After a nervous breakdown, Donald awakens to find that his experience was in fact a nightmare.
A first-time feature-film director (who's also the writer and producer) is casting the lead actress. We meet him talking to his wife about the picture and the process. We meet the actress, Sandy, negotiating with her roommate and talking by phone to her mother. Then, we watch Sandy audition for the director at the call-back session; also attending are the casting director and the production company's sycophants. The wrinkle is that the director is a homicidal misogynist, his wife is tied up and hanging from the ceiling, and Sandy has something in her purse that bodes a rocky future.
A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.
A woman wanders in a big and empty parking lots following a man who she seems to want to ambush. From her gestures something furious and menacing emerges. Everything seems to draw back to a woods beyond her abandoned home, a place that hides the true nature of her actions.