Six Days in June(2007)

The Earth Is Blue as an Orange(uk)

Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.

1982 Malvinas, La guerra desde el aire(es)

Island Soldier(en)

The untold story of Micronesian citizens fighting America's wars. Through the personal odyssey of the Nenas, one family experiences the consequences of military service, as they represent a pristine Pacific island on the brink of economic collapse.

We Are Many(en)

The story of the biggest demonstration in human history, which took place on 15th February 2003, against the impending war on Iraq.

Safeguarding Military Information(en)

World War II propaganda short which focuses on the dangers of inadvertent dispersal of military information.

The General And Me(en)

Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.

Shameless Propaganda(en)

This feature documentary examines its own genre, which has often been called Canada's national art form. Released in the year of the NFB's 75th birthday, Shameless Propaganda is filmmaker Robert Lower's take on the boldest and most compelling propaganda effort in our history (1939-1945), in which founding NFB Commissioner John Grierson saw the documentary as a "hammer to shape society". All 500 of the films produced by the NFB until 1945 are distilled here for the essence of their message to Canadians. Using only these films and still photos from that era, Lower recreates the picture of Canada they gave us and looks in it for the Canada we know today. What he finds is by turns enlightening, entertaining, and unexpectedly disturbing.

Silvered Water(fr)

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

Art as a Weapon(en)

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Accidental Anarchist(en)

Carne Ross was a government highflyer. A career diplomat who believed Western Democracy could save us all. But working inside the system he came to see its failures, deceits and ulterior motives. He felt at first hand the corruption of power. After the Iraq war Carne became disillusioned, quit his job and started searching for answers.

The Auschwitz Trial(de)

The biggest trial of Nazi war crimes ever: 360 witnesses in 183 days of trial - a stunning and gripping portrayal of the most terrible massacre in history.

Fahrenheit 9/11(en)

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

The Fog of War(en)

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

Speed & Angels(en)

Young Navy Officers, Jay and Meagan, have dreamt of becoming naval aviators flying the F-14 Tomcat since their childhoods. The film follows their two-and-a-half year journey as it takes them through dogfights in the Nevada desert, night landings on aircraft carriers in the Atlantic, and eventually to the biggest challenge young officers face: wartime deployments to Iraq.

Teaching War(cs)

This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.

The War Around Us(en)

In 2008 two best friends found themselves trapped in one of the most dangerous places on earth - the only western journalists in the Gaza Strip on what was supposed to be a 24-hour assignment. The War Around Us captures the collision of veteran war correspondent and one of TIME's most 100 influential people, Ayman Mohyeldin, with rookie reporter Sherine Tadros. As missiles shower the city and unspeakable atrocities emerge, the pair is torn by fierce professional rivalry, private terror and grim humor - with no way out and the whole world watching.

You Leave, I Won't!(sr)

Story about the suffering of the Serbian people on Kosovo and Metohija based on Metropolitan Amfilohio's book "The Chronicle of the New Kosovo Crucifixion".

Corpsman(en)

Exploring the relationship between woman and dog, CORPSMAN shows the impact a service dog has on one veteran's ability to heal from the physical and moral injuries acquired while serving in the U.S. Military and in war.

Drone(en)

DRONE is a documentary about the covert CIA drone war. Through voices on both sides of this new technology, DRONE reveals crucial information about the drone war in Pakistan and offers unique insights into the nature of drone warfare.

I Burned Legs(bs)

This film deals with the atrocities of war as portrayed by a film student who spends some time working as a medic. One of the duties he performed was to carry amputated limbs to the cremation furnace. This is a film about the collective madness that engulfed Sarajevo. A one-armed boy is troubled because he can't make big, firm snowballs; a man who lost both legs demonstrates walking on his stumps... The film and the director's story help us understand the commotion and tumult that have occurred in the minds of Sarajevans.