1939-11-16
5
STOP + Cop = "Stop" or "Slow down" ? Make the right choice. An interactice movie by Ken Arsyn.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
The coyote chases the road runner, but in this one he actually succeeds, to his bemusement.
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
"THE WORST NIGHTMARE RESTS WHERE NOT EXPECTED" After being released from a mental institution, Milla is taken to her new home by her husband Gregor and their daughter Madleine. As they settle in the new house, Milla experiences a series of events, that may be supernatural or in her head. The key to this phenomenons are the holes in the wall, that keep constantly staring at her. Somehow she feels watched through the holes, that appear to breathe and replicate through the house - although Milla doesn't witness a ghost, she feels it. It tries to remind her of something long forgotten. As Milla's broken mind made her vulnerable and susceptible to whatever ghosts may haunt her house, it becomes more and more difficult, to say what is alive and what is an echo. In the end Milla finds out, that the ghosts are a manifestation of her pain, that has built the home she lives in.
Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!
Sonic Conversion: the Freedom Fighters develop a De-Robotisizer and try it out on Bunnie. Dulcy: After Dulcy exhibits strange behavior, Sally discovers she's going through a rites of passage state of her adolescence. The Void: After Sonic is almost sucked inside the Void, he finds a huge ring which Sally believes is an ancient relic but which turns out to be a trick of Nagus. Spyhog: After Antoine saves Sally's life during a raid, Sonic can't stand his bragging and zips in to see Uncle Chuck, who finds out his bug in Robotnik's hardware is malfunctioning.
Jun Hau Timi is a romantic tale of unexpected love in the heart of London. Samir, a dashing and fitness-conscious man from Nepal, is searching for the perfect partner. Shristi, a young and beautiful woman from India, is exploring life in the United Kingdom. One day, Samir decides to visit Tower Bridge in London. As he stands admiring the iconic landmark, he notices Shristi walking nearby. Captivated by her beauty, he approaches her and introduces himself. Shristi warmly responds, and the two strike up an instant connection. Eager to share the city's charm, Shristi takes Samir on a tour of London's landmarks, including London Bridge and other picturesque spots. Their friendship deepens as they spend more time together, and a spark of love begins to grow. The story conveys a simple yet profound message: love can happen anytime, anywhere, with someone who feels like destiny
A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.
Explores Man's tendency to reduce the world into discrete intervals so that it might be more readily analyzed, even if not wholly understood.
Madhavan (Dileep) is a clever thief who does robbery for a living. He is following the principles of his mentor Mullani Pappan (Mala Aravindan). Meesa Madhavan got his name by the popular saying that if Madhavan rolls his Mustache (Meesa in Malayalam) looking at someone, he will rob his house that night. His enemy was a local money lender Bhageerathan Pillai (Jagathy Sreekumar) who refused to give back his father's property. Madhavan falls in love in Bhageerathan Pillai's daughter Rukmini (Kavya Madhavan). The sub inspector in the village Eappen Pappachi (Indrajith) has an eye on Rukmini. He steals the idol from the local Temple with the intention of selling it and puts the blame on Madhavan. It becomes Madhavan's responsibility to find the culprits and he does that with his mentor's help and thus uniting with his girl friend.
Sesame Street Jam: A Musical Celebration is a special produced forSesame Street’s 25th anniversary. Released in a slightly different form on video as Sesame Street: 25 Wonderful Years in October 1993, the special was shelved for its broadcast premiere on PBS until 1994, during pledge drive season, and in many markets, aired as part of a marathon block with three show episodes. The special was a companion to the prime-time network special, Sesame Street's All-Star 25th Birthday: Stars and Street Forever!
The love-hate relations between a girl and his disabled brother.
A police officer is tasked with capturing a gang of bank robbers led by a former elite force member.
An actor who enjoyed success in his youth finds his career and life in a downward spiral as he gets older.
A daring documentary delving into the experiences of a Ukrainian forced labourer in Germany during World War II, exploring themes of love, loss, and profound longing. When the filmmaker’s grandmother was 19, she was taken from Soviet Ukraine to Germany to work on a Bavarian farm under National Socialism. She had the luck and perseverance to survive the hardships of the forced famine in her homeland and forced labour in the new one. The stories of her everyday life – learning how to milk a cow, and falling in love – are interspersed with three generations of reflections on politics, longing, feelings of displacement and loss. Hand-processed black & white film, colour film, photographs and official documents create a montage of different perspectives. The hand-touch aesthetic combines with the acousmatic effect of disembodied voices, in this deeply intimate portrait obscured by memory loss, mistranslation, fear and trauma.