To mark the centenary of Benjamin Britten's birth, Britten’s Endgame explores the composer's creativity in the face of death. Those closest to him watched anxiously as he raced to complete his final opera, Death in Venice, in defiance of medical advice, tackling an edgy subject with many resonances in his own life. His eventual heart operation left him incapacitated and prematurely old and frail, yet somehow he rediscovered his creative urge to produce two late masterpieces. This is a rich and poignant film about Britten’s final years, and the impact of what Peter Pears called 'an evil opera'.
Video installation showing the film "A Clockwork Orange", reduced to its colour.
At a school reunion dinner in a remote country mansion, a dozen people are offered the chance to collect a million pounds each if they can stay on the estate, cut off from the outside world, for 96 hours.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
A journey to the heart of tax havens and institutionalised secrecy with Rudolf Elmer, the Swiss whistleblower who, through WikiLeaks, revealed to the world the dirty secrets of a Swiss private bank located in the Cayman Islands.
Mixing samba to various styles such as pop, rock and MPB, the Sambo group is hitting stores with his second job: Sambo Station - Live. The DVD features appearances by Sidney Magal (from "Proud Mary"), Thiago (the "Debt"), Di Ferrero, NX Zero (in "The Blind Castle"), and Pericles (on "Feeling it hurts "and" Leave "). In their presentations, the group relinquishes the conventional stage to prioritize contact with the fans: they prefer the wheel (meaning the origin of samba) and choose to keep it as low as possible, providing greater interaction with the public . A group of scholars, irreverent, committed, fun and, above all, authentic musicians, that brings these launches the diverse cultures of Brazil. Everyone will want to stay in this station!
The Cathedral (Polish: Katedra) is a 2002 short animated science fiction movie by Tomasz Bagiński, based on a short story by Jacek Dukaj, winner of the Janusz A. Zajdel Award in 2000. The film was nominated in 2002 for the Academy Award for Animated Short Film for the 75th Academy Awards.
A devout child is awoken by her mother's scream, and after investigating realizes she must fight to escape the same fate.
An experimental short film rendered using real-time graphics. Through contrasting a vibrant, virtual paradise with a dark reality, the film reflects upon humanity’s ignorance of their destructive nature on earth; the innocence of youth and the indifference of adulthood.
The film tells a story speaks of "Yusuf ", a plumbing Man, who is exposed to many pranks by his friends.
On her wedding day, all that stands between a young woman and marital bliss with her soon-to-be husband is surviving the chaos and expectations of family and friends, each intensifying her spiraling panic.