Carnival! - We Are Positively Wacky(2013)

Last of a London Summer(en)

The last days of summer captured on 16mm.

Harrow Hospital Carnival(xx)

Harrow’s extraordinary and opulent pageant, and seaside holidays on the south coast.

Pwllheli Carnival(xx)

Weird and wonderful characters entertain the crowds in this summer's day procession at Pwllheli, Gwynedd.

American Thrift: An Expansive Tribute to the "Woman American"(en)

Chevrolet presents this tribute to the American woman and her thrifty ways with money. The film also salutes the individuality of the Amerian citizen and the variety of choices we have in the marketplace.

Richmond Historical Pageant(xx)

Druids, Romans and Norman knights return to Richmond for the 600th anniversary of the Yorkshire town's charter.

Alaaf - 200 Jahre Kölner Karneval(de)

200 years of Cologne Carnival! The most colourful and loudest festival in Cologne celebrates a big birthday. In February 1823, a few men from Cologne's upper class founded the so-called 'Festordnende Komitee' - the forerunner of today's 'Festkomitee Kölner Karneval'. This 'big bang' was a reaction to the old festival getting out of hand in orgies and violence. Carnival was in danger. A ban by the Prussian rulers was imminent. The new committee wanted to control the wild goings-on, establish rules and organise the celebrations.

Dulais Valley(xx)

Master baker, owner of Duffryn Bakery, Onllwyn, turns his hand to film-making and captures community events in glorious colour.

Confessions of a Burning Man(en)

The experience shared by four first-timers demonstrates how Burning Man dissolves the barriers between races, nationalities and economic classes. A beautiful piece of film-making which inspires and entertains as it provides some understanding about why people return year after year.

Farewell Ferris Wheel(en)

Farewell Ferris Wheel explores how the U.S. Carnival industry fights to keep itself alive by legally employing Mexican migrant workers with the controversial H-2B guestworker visa.

Dust Devils(en)

A beautifully done video of Burning Man 2001, 2002 & 2003. Lots of people interviews, Center Cafe activity and extensive coverage of artist David Best and the Temple construction and burn. This documentary captures the swirling columns of dust that were created during the intense heat of the 2002 Temple burn.

Drama in the Desert: The Sights and Sounds of Burning Man(en)

Drama in the Desert: The Sights and Sounds of Burning Man is a full-color book (which includes a DVD) based on the captivating images of Holly Kreuter, with contributions from an additional 90 Burning Man participants, offering the reader a taste of the Burning Man experience. The DVD includes an original Score by Sean Abreu, seven slideshows featuring 560 Kreuter photographs and video interviews with 8 artists including Larry Harvey.

AquaBurn(en)

AquaBurn is an award-winning documentary film by director Bill Breithaupt showcasing "The Floating World" theme of the 2002 Burning Man Festival. AquaBurn features many of the incredible Burning Man art installations, the imagination and originality that went into their creation, and the artists who conceived them. Unlike conventional documentaries on the Burning Man Festival, AquaBurn captures the true feeling and excitement of the event itself, transporting the viewer to a hot, dusty wonderland without ever leaving home.

Crazy Day(cs)

A continuous, extreme show is held, every year, in Tesla Arena in Prague. The visitors can be impressed by shows of dangerous riding on motorcycles, amazing acrobatics on 4 wheel vehicles, etc…

Narren(de)

Why does everyone want to take part in the Rottweiler Narrensprung, even though the costumes are expensive, the wooden masks uncomfortable and the jesters' rules extremely strict? Can Swabian language tests and video surveillance save the famous Rottweiler Fasnacht from the onslaught of out-of-town jesters? Fool master Christoph has his doubts. But under no circumstances are women allowed to dress up as horses. Filmmakers Sigrun Köhler and Wiltrud Baier (Böller und Brot) spent over three years filming in Rottweil. With their humorous and affectionate view, they take the viewer into an unknown world: a great archaic celebration of life and death in the middle of highly industrialized Germany.

Carnival in Québec(en)

This colorful archival record of Québec City's Winter Carnival shows that many popular events of today—pageants, parades, boat races, folk dancing, fireworks, and torchlight skiing—were also favorites many years ago.

The Nyons Carnival(en)

Die Maskenmacher von Venedig(de)

Festive Land: Carnival in Bahia(en)

Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.

Carnival: Looking for Paulo 'Miller'(pt)

A 2008 short made in accompaniment with Our Beloved Month of August, documenting Gomes's and his crew's hapless search, during 2007's carnival, for one of Arganil's most storied and elusive characters (who does, in fact, ultimately appear as an interviewee/player in the finished film). Paulo "Miller" is known for taking a dangerous jump into the Alva from a bridge each year during carnival, but what this film is about is, in keeping with the free-roving feature, much less the subject himself than Gomes and co.'s inability to pin him down; not only does he not do his famous jump during this year's carnival, but an ostensible technical/audio failure (as with the feature, it's very difficult to say how much of this film is "fact," how much invented) during Gomes's initial on-camera meeting with Paulo "Miller" leads to five minutes of lip-readers attempting to decipher their conversation.

Carna(nl)

Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.