Eight-year-old Tilda’s memories of her family as surrealistic visions come into life: the circus member ex-mermaid grandmother, the erotically overheated mother and the disappeared father whose broken heart, anger and jealousy manifest as a rhino. Tilda’s life is full of grotesque, bizarre characters hungry for love.
Father (voice)
Mother (voice)
Grandmother (voice)
The Lover (voice)
Matilda (voice)
Fish Seller Man (voice)
Starting in the late 1930s, illustrator and experimental animator Douglass Crockwell created a series of short abstract animated films at his home in Glen Falls, New York. The films offered Crockwell a chance to experiment with various unorthodox animation techniques such as adding and removing non-drying paint on glass frame-by-frame, squeezing paint between two sheets of glass, and finger painting. The individual films created over a nine-year period were then stitched together for presentation, forming a nonsensical relationship that only highlights the abstract qualities of the images. —Kansas City Electronic Music and Arts Alliance
During a scorching summer in the village, an old woman tries to bring back her late husband by means of twisted rituals.
A series of vaudeville acts inserted in images of reality, meant to demonstrate the ephemeral nature of all things.
The poet's dreams a maiden's bubbles through edifices of forest and eclectic contagion.
The scene is set in front of a French chateau. The camera chases improbable incidents across the screen. Many are constructed out of one of Jordan's favorite engravings illustrators: Poyet. Duels occur on a tight rope. Heavier-than- air machines fly (and sometimes crash). Below guns spear exploding spheres. The timing of the animation is exquisite, existing in an atmosphere balanced between frenzy and delight.
A very infertile husband is so desperate to have a baby that he actually treats the liposuction fat from his wife as his baby. Strangely enough this all does lead to a cure! Only in Joost Lieuwma's universe this is not just possible, but even logical.
A group of cossacks travels around Europe, playing football against the teams of different countries, each of which has their very unique playing style.
The Cossacks save a group of Ukrainian maidens who are kidnapped by pirates while celebrating Ivana Kupala. En route they visit Ancient Greece, Egypt, and India.
Cossacks cooked borscht, but ran out of salt, and what kind of taste without salt? They go to the fair, where they find out that the Chumaks who traded the salt, were robbed by the Evil Pan (local feudal lord). In this series, the Cossacks, fighting off the Evil Pan and his servants, try to bring the stolen salt to the bazaar in order to transfer it to the hands of the rightful owners - the Chumaks.
The Cossacks become involved in a dispute between the gods Zeus and Mars. Zeus wants to set up the Olympic games, while Mars wants to undermine him and start more wars. The Kozaks help Zeus and challenge Mars at the Games.
Cossacks help the French musketeers to deliver the portrait of daughter of the Turkish sultan to the Dutch prince, that could marry her. Insidious cardinal Richelieu wants to blow off the plans of queen and equips pursuit.
Tur regrets being single until he meets a charming maiden to whom he promises a new pair of boots. He gets trapped at a witch’s sabbath hosted by the devil, who promises him a pair of boots in exchange for his soul.
Hraï, Oko and Tour come across extraterrestrials in search of oil to repair their saucer and be able to return home. Together, they cross Europe, find themselves defending Bulgaria invaded by enemies, discover an aqueduct in Italy and narrowly escape the Inquisition in Spain.
Two very bored shadowy characters try to think of something to do--and end up playing "Shadow Puppets."
The cycle of life. A boy whose father is a pilot imagines that his toy plane becomes the real thing, allowing him to fly side-by-side through the heavens with his father. He takes off from a tree house overlooking the sea and his father's landing strip. Their flight is graceful and full of adventure. Then, we watch the boy grow, study, marry, father a child, and become, himself, a grandfather. Holding a toy plane, he takes his grandchild to the same cliff from whence his own imagination took off years before.
The short tells the story of a drunkard going through alcohol withdrawal, as personified by the Devil. Director Bob Stenhouse takes what could be a dark subject and makes it a funny madcap romp.
This short is about a purple dinosaur named Sigmund, who likes to bounce on top of trees. Preserved by the Academy Film Archive in 2011.
Animation. The theme is Weightlessness. Objects and characters are cut loose from habitual meanings, also from tensions and gravitational limitations. A lyric Eric Satie track accompanies the film. Such a portrait seems necessary from time to time to remind us that equilibrium and harmony are possible, and that we will not dissolve into a jelly if we allow ourselves to relax into them: A horseman rides through the landscape, through the town, but never arrives anywhere in particular. An acrobat swings on a rope above a canal in Venice, and is content just to swing there. Nothing threatens to disturb them. This film is a total contrast to the Kafka-like oddities of Eastern European animation. —Canyon Cinema